Photo: Quivering by Hong-Kai Wang

“When an earthquake’s sonic event oscillates through the air – rolling over the earth – it absorbs all objects in its wake. The sonic outline of every object in the path of the sound wave is inscribed into its signature. An earthquake produces rumbling imperceptible infrasounds that alter the geological make-up, as well as deep bass frequencies that offer up new modes of understanding the malleability of geological strata. Movements are world-makers. As sound moves, worlds are created. As the earth quakes across its surface, new lines are drawn up.”   – Tobias Ewé

Recollective: Vancouver Independent Archives Week announces the web-launch of “On Hong-Kai Wang’s Quivering,” a newly commissioned text by Tobias Ewé in response to This is no country music, a performative lecture hosted at Artspeak on November 1, 2019, and Wang’s exhibition Quivering which was on view at Artspeak from October 26–December 7, 2019.

Read Tobias Ewé’s response and view the event and exhibition documentation on the Recollective website.

Recollective: Vancouver Independent Archives Week is a series of free public events that highlight artist-run centre archives, artists working with archives, and the intersections between contemporary art practices and social movements in Vancouver and beyond. Recollective commissions original response works to our programming from a variety of artists, writers, and activists. Stay tuned for more Recollective responses and programming at archivesweek.ca!

BIOS
Tobias Ewé is a Danish experimental theorist currently based in Vancouver, BC. He is writing a PhD on inhuman psychoacoustics in the Department of Art History at the University of British Columbia. His research focuses on the epistemology of listening in modernity, and its symptoms in the sonic arts at the nexus between vibrational inhumanism and speculative aesthetics. His most recent work appears in Holger Schulze, ed (2019), Handbook of the Anthropology of Sound, London: Bloomsbury; and Laboria Cuboniks (2018[2015]), Xenofeminisme: En politik for fremmedgørelse, trans. Tobias Ewé, Copenhagen: Passive/Aggressive. Tobias has exhibited/performed diagrams and sonic fictions in Germany, Canada, Denmark, Italy and online.

Based in Taipei, Taiwan, Hong-Kai Wang’s research-based practice confronts the politics of knowledge lost in colonial and diasporic encounters. Through experimental modes of sonic sociality, her multidisciplinary work seeks to conceive of other time-spaces at the intersection of lived experience, power and ‘listening.’ Wang’s work critically interweaves the production of desire, histories of labor and economies of cohabitation. She has presented projects at Asia Art Biennial 2019; Theater Commons Tokyo 2019; Sculpture Center New York; documenta 14; Taipei Biennial 2016; Liquid Architecture; and the Museum of Modern Art.

Limeflower Heterodoxy
Sharona Franklin
June 9 — July 3, 2020
Window viewing hours at grunt gallery: Tuesday – Saturday 12pm – 5pm

Limeflower Heterodoxy is a new exhibition by artist Sharona Franklin featuring the slow decomposition of one of her signature gelatin sculptures. With this work, Franklin takes the viewer into an exploration of healing methodologies, contrasting the different approaches of psychedelic and plant based medicine intertwined within the pharmaco-industrial complex. The installation centers the experiences of childhood rural illness, contrasted with the alien and often dehumanizing experiences of cytotoxic and pharmaceutical systems. Referred to by the artist as bioshrines, the sculptures embody tensions and contradictions held for those whose treatments include both natural medicine and—sometimes ethically controversial—biopharmaceutical care.

Decomposition is an integral part of Franklin’s process, as she invites visitors to come back and revisit her sculptures over the course of an exhibition, witnessing their transformation in space, as time and organic matter collide. For the first time, a livestream video will grant the viewer real time access to the transformation at any moment of the day or night. The artist will also record the decomposition of her work, creating two time lapse videos over the period of a month.

The livestream and videos are available through Printed Matter, more information can be found here. The work comes at three different tiers: an unlimited livestream access, a 30min time lapse video filmed on Hi8, and a high resolution 60min video with textile edition. 100% of the profits of Limeflower Heterodoxy II, a Hi8 timelapse video, will be donated to COVID Bail Out NYC.

This installation is organized by Printed Matter (NYC), hosted at grunt gallery and produced with the support of VIVO Media Arts Centre.

Downloadable PDFs:
Limeflower Heterodoxy Recipe
Let’s Talk About Disability

Sharona Franklin b. 1987 is a Canadian multidisciplinary artist, writer and advocate.

Her work explores radical therapies, cybernetic craft, ecological systems, bio-ritualism, pharmacological and social inter-dependency disseminating mythologies of class and biocitizenship within disability.  Franklin’s visual media practice can be viewed through social media platforms @paid.technologies, @star_seeded and @hot.crip. Through ontological study and utilizing natural, salvaged, biodegradable, edible, print media and digital mediums, her psychedelic works invite the viewer into facets of biopharmaceutical investigations and educational community practice.

Recent exhibitions include Kings Leap, NYC, Unit 17, Vancouver, Canada, G44 Center for Contemporary Photography, Toronto, Canada, New Image Art Gallery Los Angeles, CA, and Flux Factory, New York, NY. Recent publications include Injustice in Biopharm, 2019, Cassandra Press and Rental Bod, 2016, Peace Library Publications.

As of  Friday May 29th 2020, grunt gallery’s founder Glenn Alteen, who served as the gallery’s Program Director for 37 years, has retired. The staff and board of grunt are incredibly grateful for the energy, ingenuity and spirit Alteen has given grunt since the very beginning; he has fostered an extraordinary community of artists, curators, and cultural workers that extends from Vancouver’s Mount Pleasant neighbourhood across Canada and internationally.

Since grunt’s inception in 1984, Alteen has recognized the value in platforming diverse voices and supporting artists through their creative processes, and has been committed to providing resources for artists to exhibit work that might otherwise go unrecognized. His boundless generosity and bold approach has been instrumental in building the vitality of the gallery and relationships with many exceptional artists and curators, including Rebecca Belmore, Dana Claxton, Margaret Dragu, Aiyyana Maracle, Naufus Ramírez-Figueroa, Carole Itter, Adrian Stimson, Tania Willard, and Tarah Hogue. Throughout his career, Alteen has pushed boundaries with projects such as Queer City (1993), An Indian Act: Shooting the Indian Act (1997) by Lawrence Paul Yuxweluptun, and the co-founding of LIVE Biennial of Performance Art in 1999. Showing no signs of slowing down, in 2019 Alteen and grunt launched three of their most ambitious projects to date: Wordless: The Performance Art of Rebecca Belmore, the Blue Cabin Floating Artist Residency, and the Mount Pleasant Community Art Screen.

His connections to artists is truly unique, and his commitment to long-term creative relationships has built a community around grunt that spans generations, cultural communities and disciplinary boundaries. Dana Claxton recalls:

“I think I first met Glenn at the Pitt Gallery on Water Street in the late 1980s. Early on in the realm of programming NDN’ art work, he was committed, supportive, made enormous space and provided guidance in a way, he may not even be aware of the guidance he gave. Our early morning talks for many years, as he would dream up projects…he makes ideas become concrete. And it was never about him, but always what can happen for other people.”

Alteen has championed intuitive, organic and artist-driven creation, while simultaneously ensuring the continued growth and stability of grunt itself. By developing grunt’s programming archive, securing a permanent space for the gallery and the creation of an endowment fund, Alteen has cemented the longevity of grunt and contributed to the sustainability of artist-driven culture in Vancouver. He was awarded the Governor General’s Award in Visual and Media Arts in 2018 for his decades of exceptional contributions to the arts in Canada. Glenn Alteen has been a visionary for grunt gallery and Vancouver’s visual arts communities, and has left an enduring mark on the ways we work through, with and around art.

His unique perspective will carry forward into grunt’s future, and will continue to shape the organization. Incoming Program Director Vanessa Kwan, who has shared the role with him since last June, says:

“In so many ways, Glenn embodies what we hope for in a more compassionate art community. His leadership has taught so many of us about the importance of both resistance and care. His work proposes something no less than a revolution in how we understand a successful (dare I say legendary?) career in the arts: that ambition can be expressed as generosity, and that capital–cultural, financial and otherwise–is best shared widely rather than being kept to oneself.”

As grunt honours Alteen’s remarkable career and contributions to the art community, we are also proud to announce the re-naming of our endowment to the Glenn Alteen Legacy Fund, and we invite you to contribute to the future of the organization, and the furthering of its unique vision. More information can be found here.

Thank you so much, Glenn, for your audacity, persistence, disgruntlement and care.

Photo: Portrait of Glenn Alteen by Henri Robideau, Jaunary 1987.

Artist Merle Addison has been showing his own work and documenting the work of others since the early days of grunt. His sharp eye and gentle presence have witnessed some amazing moments of performance art in Vancouver over the last three decades and we can’t overstate the value of his contributions to the grunt archive. We have prepared an introduction to Addison’s practice as a research resource and tribute to his work. Thanks Merle! For research inquiries or more info about grunt’s archives please contact Dan Pon, Archives Manager, dan[at]grunt.ca

Merle Addison first came to grunt in 1985, soon after we started. He worked as a member of the volunteer collective that ran grunt at the time. He worked in administration and communication in the late 1980s. His greatest contribution was his documentation of our performance program from 1990 to 2010. From 1990 – 2005, using black and white photography, Addison would create amazing documentation in difficult settings in low light creating an amazing archive of Vancouver Performance over the period. During the LIVE Performance Biennials from 1999 – 2005 Addison documented over 150 performances.
— Glenn Alteen, grunt gallery Program Director 1984-2020

Merle Addison is a graduate of the Experimental Arts Department of the Ontario College of Art. He received his official artistic license there but has been scribbling and making things as long as he can remember. Back then he thought the best job to have would be a TV news announcer. They worked 15 minutes a day and got to keep the pencils and paper. He started working with grunt in 1988 and has been doing so ever since.

He is best known for his photographic documentation of performance art but his personal work utilizes any medium that you can use to make a scribble, from photo processes to soapstone on fine sandpaper to his favourite, a pencil on paper.

His performance art photos were taken in the kind of small spaces where the intimacy of the space allowed a close up of the artist’s piece. His drawings and abstract photo pieces are more of his own journey, that personal experience that defines us.

Merle Addison Artwork & Performance Documentation.

Image: Merle Addison, Quiddity, February 22, 2003.

grunt gallery is proud to present the legacy publication Wordless: The Performance Art of Rebecca Belmore, focusing on her remarkable performance career. Wordless features full-colour photos and stills, including the new photo series nindinawemaganidog (all of my relations) and essays by Richard William Hill, Curtis Collins, Kathleen Ritter, Wanda Nanibush, Jessica Jacobson-Konefall, Glenn Alteen, Jen Budney, Dan Pon and Florene Belmore. Edited by Florene Belmore.

As a part of this project, grunt gallery commissioned a series of five new photographs based on five of Belmore’s previous performances. The new series, nindinawemaganidog (all of my relations), includes, witness, matriarch, mother, madonna and keeper.

Wordless is available for purchase via the grunt gallery online bookstore.

A member of the Lac Seul First Nation (Anishinaabe), Rebecca Belmore is an internationally recognized multidisciplinary artist.

Rooted in the political and social realities of Indigenous communities, Belmore’s works make evocative connections between bodies, land and language. Solo exhibitions include: Facing the Monumental, Art Gallery of Ontario (2018); Rebecca Belmore: Kwe, Justina M.Barnicke Gallery (2014); The Named and The Unnamed, Morris and Helen Belkin Art Gallery, (2002). In 1991, Ayumee-aawach Oomama-mowan: Speaking to Their Mother was created at the Banff Centre for the Arts with a national tour in 1992 and subsequent gatherings took place across the Canada in 1996, 2008, and 2014.

In 2017, Belmore participated in documenta 14 with Biinjiya’iing Onji (From Inside) in Athens, Greece and Kassel, Germany. In 2005, at the Venice Biennale, she exhibited Fountain in the Canadian Pavilion. Other group exhibitions include: Landmarks2017 / Reperes2017, Partners in Art (2017); Land Spirit Power, National Gallery of Canada (1992); and the IV Bienal de la Habana (1991).

Belmore received the Jack and Doris Shadbolt Foundation’s VIVA Award (2004), the Hnatyshyn Visual Arts Award (2009), the Governor General’s Award in Visual and Media Arts (2013), and the Gershon Iskowitz Prize (2016). She received honourary doctorates from OCAD University (2005) and Emily Carr University of Art + Design (2018).

Presented by grunt gallery and the Audain Art Museum. Published by Information Office. Wordless was funded through Canada Council for the Arts 150 Program, New Chapter and the Audain Art Museum. Wordless is one of the 200 exceptional projects funded through the Canada Council for the Art’s New Chapter initiative.

grunt gallery launched the Mount Pleasant Community Art Screen (MPCAS) in December, 2019. The MPCAS is a 4×7 metre outdoor urban screen showing art-only content by and for the Mount Pleasant neighbourhood of Vancouver.

Dear readers, 

The time has come, the final installation of Hedy Wood’s Pet Peeves is here. Now, dry your tears and read on as Hedy turns her investigation on her own pet, Blackberry. 

After about a year of talking to the pets at grunt, and seeing all those lovely relationships between pets and people, something dawned on me. It seemed like the only place I was truly going to find any complaints, or peeves, was probably right in my own home. I’ve noticed Blackberry sometimes has quite a peeve-ish little look on her face… not that she isn’t the nicest cat in the world, because she is. Still, I felt I could likely uncover something…

The two of us often go for quite a long time without talking too much. I might ask,

“How about some lunch?”

And she’ll say, “Yes, I believe I mentioned that three hours ago.”

Or, I can say, “Isn’t it about time we trimmed those claws of yours?”

And she’ll respond with “I’d better go and hang out under the bed for several hours…”

We can go on like this for ages. But I liked the idea of interviewing her. We have a cute story about when we met that people might like to hear….

Me: Remember, Blackberry, when I rescued you from that cage at the PetSmart store in North Van? Was it 10 years ago now?

Blackberry: Aren’t you kind of leaving out the part where you were online dating another cat!? And then you went to meet up with that cat, and she bit you?

Me: Oh right, yeah, I forgot about that…

Blackberry: Then she got a bad case of diarrhea! And you were all scratched up! And it was about then that you saw me, and realized how great I am… and since we’re talking about it, why exactly do you always tell this story as though YOU rescued ME? More like the other way round in my opinion… and what actually is it that makes you think this apartment is so much larger than that cage anyway? Ha ha ha. Ha.

Me: Gee, I’m so glad we’re doing this.

Blackberry: Ha. Snort. Heh heh…

Me: Okay, okay, don’t cough up a hairball! Let’s try talking about something nice… Or at least not too diminishing for me…

Blackberry: Sounds good. What did you have in mind?

Me: Well, how about if you answer the age-old question, why do cats follow people into the bathroom?

Blackberry: Well, ha! It’s just so FUNNY! You’re in there with no proper litter box, only a bit of paper and a big flush-y thing! Ha ha ha!!!

Me: Hmm, I see, I may never go again now that I know that. I mean, I don’t laugh at your litter box.

Blackberry: The flushing!!! The paper!! HA!

Me: Well, try not to lose control completely… none of the other cats I talked to mentioned any of this.

Blackberry: Did you ASK them?! Oh my big aunt Betty! What a hoot.

By this time I was sort of struggling to achieve an interview with some dignity while Blackberry continued rolling around on the floor and giggling. She was acting like a person with a bad case of the sillies, and I feared that any subject I mentioned would only bring on more hysteria. But I still had a couple of questions on my list.

Me: And what is it with cats and toenail trimming anyway? Why not just sit quietly and get your nails clipped? What’s the big hairy deal with that?!

Blackberry was using her paw to wipe a tear from her eye. Remember when I BIT you so hard when you tried to trim my claws?! The BLOOD?! Ha ha ha!!!

Me: Right, so funny I forgot to laugh. I’m beginning to realize why we don’t always talk that much!

Blackberry: Ok, ok don’t get your fur in a knot. I’m just trying to have some fun. What is actually on your mind anyway?

Me: I’m just trying to find out if you have any complaints, you know, anything we could improve on around here.

Blackberry: So glad you asked! For one thing, what’s with the nicknames? Is there a being on the planet who would enjoy being called Bumblebooby? Or Boobleberry? Or Binkybumbles?

Me: Got it, I thought that was kind of cute.

Blackberry: Fudge! It’s about as cute as the complete and utter lack of FOOD around this place!

Me: Well, there IS food, and the vet said…

Blackberry: Vet, shmet!

Me: The vet said that 15 pounds is too large. He said you were registering in at a nine on the cat obesity scale, which, by the way, only goes to nine…

Blackberry: Nonsense. I am a full-figured cat, and I have big hair, period. And that reminds me, have you actually been cutting my treats in HALF?! Who DOES that?

Now, I do that, and had been doing it for months because of the cat obesity thing, but I wasn’t ready to admit it…

Me: Of course I’m not doing that! Who would do that? You must be paranoid.

Blackberry: Maybe, but at least I don’t go to the bathroom in a big vat of water.

Me: You’re not being very mature right now.

Blackberry: Ha! That’s probably because I am starving to DEATH around here. How about doling out one of those miniature treats? I hear that when other cats are interviewed, they get treats by the handful, like the actual sized ones…

Okay, I couldn’t really lie about that to her. So I gave her a few half treats, and then we stopped talking. We just went back to our regular amount of talking, and that seemed for the best. I still had a few unanswered questions, like why SIT in the box of pieces when I’m working on a jigsaw puzzle? Or, what is so great about burrowing under the bed covers and staying in there for hours? But maybe those were best left for another day, Blackberry seemed to be trying very hard to subdue her fits of giggling… and I had to go to the bathroom…

As we near the end of the Pet Peeves series, Hedy Wood introduces us to Jackson, a blue-eyed bad boy, and Nellie, another grunt curatorial intern.

I met up with Nellie and retired bad boy Jackson Pawluck at their place, and I have to admit, I was so taken with the apartment, it hardly registered how thoroughly Jackson was ignoring me. It is a beautiful apartment. It really made my apartment look like a bunker in a ghetto… the windows! The light! The fireplace!!!! But, professional that I am, I tried mightily to stop staring at the claw foot bathtub, and focus on the interview at hand.

Now, Nellie had told me about Jackson’s badass past and his history of aggression. I mean, he’s basically under house arrest these days and not allowed to go outside due to the damage he does to other cats. Apparently, he would chase them across the street in an attempt to get them hit by cars!! You can imagine how tentatively I was rattling the treat bag, I was expecting to be assaulted by a snarling mass of aggressive cat fury.

The thing is, Jackson really is retired these days. At 15, he’s a senior cat. It was easy enough to see this when he finally emerged from under the bed wearing the cat equivalent of old brown slippers and a white cardigan with little pill-y balls on it. (See pictures.) He also has a couple of habits that made me wonder if his hearing is going a bit. He did not respond at all to the treat bag rattling, and he had a tendency to YELL when he was talking. Before he emerged from his napping area in the bedroom, I could have sworn he was hollering about “not wanting to meet any more goddamn PEOPLE, because what is the POINT of them?!” But of course, I could be wrong… And he did greet me in a friendly enough fashion.

Me: Hi there Jackson, treat?

Jackson: HELLO. YES, I’LL HAVE ONE, JUST HAVE TO BE CAREFUL OF MY TEETH!

Me: Oh, of course, we all do really…

Jackson: CRUNCH CRUNCH

Me: So, I hear you’ve got a bit of a reputation as a badass? Bit of a brawler? You can tell me anything you know, this is a completely non-judgemental environment right here.

Jackson: HA! If I did ever beat anyone up, and I’m not saying that I did, they certainly would have deserved it. Allegedly, of course… ANY MORE OF THOSE TREATS? They are a lot better than I thought they’d be.

Me: Yes, yes. Oh, I hear you’ve also been known to attack people as well. Do you have anything to add to that?

Jackson: BALONEY!! PROVE IT!!

Hey, those treats are making me thirsty, get Nellie to turn on the bathroom sink, will ya? I don’t like drinking out of that CAT FOUNTAIN! Whose idea was that thing anyway?! It’s so SILLY.

Me: Well, Jackson, of course, I have no proof whatsoever that you attacked other cats. I just met you and you seem a lot less cranky than most of my friends….

So, tell me, it’s my job to discover if you are having any problems at all, living here, in this beautiful apartment that is so much better than my place. Any problems with Nellie at all? Or her mum?

Jackson: I do not have a single problem! Everything here is just peachy keen, Nellie is wonderful. However, I fail to see why the pate cat food is doled out in such skimpy portions. Cats in retirement need to keep their strength up! And, frankly, since I’ve given up my alleged brawling, eating is one of my main pleasures… you look pretty old, so I’m sure you can understand… got any more of those treats on you?

Me: Of course.

Jackson: You want to know what else I think?

Me: That’s why I’m here…

Jackson: Any couch or chair is ALWAYS improved by a bit of cat scratching! That’s where I do some of my best artwork… I think people are just too uptight about keeping things in the same condition they bought them in…

I began to realize that anyone that ages and matures is bound to have a lot of opinions. Jackson is no exception to this rule. Over the course of our brief visit, I heard his take on many subjects before he returned to his nappy area.

This is some of what he had to say.

First, and foremost, any violence done by him to other cats or humans is ALLEGED. Period.

Also, why did Nellie have to go to university for FIVE years?! Too long, and STUPID.

Paté cat food is far superior to that chunky stuff.

And, last but not least, why do they plant large trees on top of buildings? Stupid!

Jackson followed all this up with the quintessential cat complaint, where is the FOOD?

Me: Well, now Jackson, you look quite well-fed, what exactly is your complaint about the food?

Jackson: Well, girly, WHERE is it?! Don’t you try to tell me that I’ve already eaten a bowl of cat food today! Or that I may or may not have short term memory loss! Bananas! You think I’m standing by that food bowl yelling for absolutely no reason? Phooey! Don’t sass me.

I hated to leave that lovely apartment, I really did. But I had begun to fear that Jackson might return to his bad boy ways, and I was slightly worried he might chuck a slipper at my head…

Me: Jackson, this has been great, but I’d better get back to my own cat now. Would you like a treat for the road?

Jackson: Yeah, yeah, I could use a bit of a nap now anyway… don’t forget to talk to Nellie about leaving the bathroom sink running for me. I’m not standing in there screaming for my health ya know…

Me: Of course, great to meet you… I’ll tell my cat Blackberry you said hi…

Jackson: Why the hell would you do that? I don’t like talking to strangers… you shoo now! Don’t make me take off this slipper!!

Dear Readers, We are sadly nearing the end of Hedy Wood’s Pet Peeves and from this point on it’s 100% cat content – feline friends only. We are pleased to introduce to you, Whess and Chi.

You can’t imagine my delight at finding a pet/human relationship that was not formed online.

I don’t know why exactly, but the fact that Whess (grunt gallery’s curatorial intern) and Chi, (handsome cat), met through mutual friends made me happy. It’s so old school and very unusual nowadays.

I met up with Chi at Whess’s downtown apartment, armed with cat treats which turned out to be completely unnecessary. Chi is an extremely friendly being, who is happy to pop up on your lap and purr. Pretty much the polar opposite of the type of thing I experience at my place. Blackberry thinks of that kind of behaviour as “mushy” or “soft” and she wouldn’t do it if her last treat depended on it. But I digress. And I also plan to interview Blackberry soon, so you will hear all of her (numerous) complaints then.

While I found Whess to be lovely, I spent most of my visit curled up on the bed, feeding treats to Chi. That’s how I learned that he and Whess got together about 6 years ago when Chi’s original owners moved to Australia.

Me: Another snack Chi?

Chi: Don’t mind if I do. Anything else you’d like to chit chat about?

Me: Well, I was wondering if you have any complaints at all? Anything about Whess? Living arrangements? Food?

Chi: As you can see, Whess is just fantastic, however, it took me quite a long time to get them buying the proper type of food. I like GRAVY, the pate cat food is too gummy!

Me: Hmmm, I see……doesn’t sound too awful…..anything else on your little cat mind?

Chi: And I do believe that if a person, who lives with a cat, gets a tattoo, it should really be a picture of the cat! IT SHOULD NOT BE A PICTURE OF SOME STUPID FISH!!

Now I had heard that despite all his charming ways, Chi could be a little intense. I hadn’t realized this intensity would take the form of loud yelling.

Me: Yeah, I see your point, but it’s a nice tattoo.

Chi: NONSENSE. It’s a FISH! So annoying. And what’s with all the TRAVELLING anyway?

Whess is always darting off someplace, leaving me with other people!! And travelling in cars makes me INCONTINENT!!!

Suddenly, I was in pet interviewer heaven, because it seemed as though I had actually found a pet with a few complaints! Oh, joy to the world!

Me: So, actually, Whess is sort of a terrible companion for you? Not too good at all?!

Chi: Are you completely INSANE? Whess took me in when my former people moved to AUSTRALIA! Whess is the kindest, best person I know! I LOVE WHESS!! You must be a cuckoo nut head!

Of course, being called a cuckoo nut head is not exactly unfamiliar territory to me. I just let it bounce right off me, I am made of rubber, you are made of glue, everything you say bounces off of me and sticks right onto you. That’s pretty much my motto.

Chi: I also LOVE Kathleen!! Whess’s friend KATHLEEN! I get so excited when she comes over, I start to hyperventilate!!!

It was around this point in the interview that I noticed a strange habit of Chi’s. You know that sound when you pick up a cat unexpectedly? It’s sort of a squeaky noise similar to accidentally sitting on a bagpipe. Well, Chi is able to make that noise at will, for no apparent reason. He can also make it pretty loud.

Me: Of course …..you do seem to have a lot of love to share…..

Chi: SCREEEEEEEEEECH.

Whess: One time Chi pooped in his cat carrier when we were 20 seconds from our own doorway!

Chi: SCREEEEEECH, DOUBLE SCREEEEEECH! Why tell her that?! It’s MORTIFYING!!

Me: Well now, always best to try to remain calm Chi…..that’s what we cuckoo nutty heads always say…or maybe that’s the British…same thing really…

Whess: Yes, Chi always poops a bit, especially in taxis…..He’s scared of outside, and the sky. And he cannot stand it if I close the bathroom door! Ha!

Now by this point, Chi had climbed into the bag I brought the treats over in, and was continuing to screech. I was yelling at him to “keep his hair on”, and Whess was coming out with even more entertaining incontinence/bathroom stories. Sometimes, you can get the feeling that an interview has gone a bit off track and sort of derailed, really. The only thing a good pet interviewer can do when this happens is make an excuse, and leave the premises ASAP. Always best not to look as though you are actually running, if you can help it.

I managed to extricate Chi from the bag. He calmed down significantly once Whess stopped telling the poop anecdotes, and he could see that I was leaving. Now, some people might say that my nonchalance was slightly exaggerated but professionalism is everything to me. I certainly did not want Whess to think that all pet interviews ended so chaotically. Or that all the cats I talked to ate quite so many treats. No, I was sure things would go much more smoothly over at my next cat rendezvous. Nellie had mentioned that her cat is 15, too old probably to get very excitable…..and me, of course, I’m always calm, and sort of the strong silent type really.