Photo: Quivering by Hong-Kai Wang
“When an earthquake’s sonic event oscillates through the air – rolling over the earth – it absorbs all objects in its wake. The sonic outline of every object in the path of the sound wave is inscribed into its signature. An earthquake produces rumbling imperceptible infrasounds that alter the geological make-up, as well as deep bass frequencies that offer up new modes of understanding the malleability of geological strata. Movements are world-makers. As sound moves, worlds are created. As the earth quakes across its surface, new lines are drawn up.” – Tobias Ewé
Recollective: Vancouver Independent Archives Week announces the web-launch of “On Hong-Kai Wang’s Quivering,” a newly commissioned text by Tobias Ewé in response to This is no country music, a performative lecture hosted at Artspeak on November 1, 2019, and Wang’s exhibition Quivering which was on view at Artspeak from October 26–December 7, 2019.
Read Tobias Ewé’s response and view the event and exhibition documentation on the Recollective website.
Recollective: Vancouver Independent Archives Week is a series of free public events that highlight artist-run centre archives, artists working with archives, and the intersections between contemporary art practices and social movements in Vancouver and beyond. Recollective commissions original response works to our programming from a variety of artists, writers, and activists. Stay tuned for more Recollective responses and programming at archivesweek.ca!
Tobias Ewé is a Danish experimental theorist currently based in Vancouver, BC. He is writing a PhD on inhuman psychoacoustics in the Department of Art History at the University of British Columbia. His research focuses on the epistemology of listening in modernity, and its symptoms in the sonic arts at the nexus between vibrational inhumanism and speculative aesthetics. His most recent work appears in Holger Schulze, ed (2019), Handbook of the Anthropology of Sound, London: Bloomsbury; and Laboria Cuboniks (2018), Xenofeminisme: En politik for fremmedgørelse, trans. Tobias Ewé, Copenhagen: Passive/Aggressive. Tobias has exhibited/performed diagrams and sonic fictions in Germany, Canada, Denmark, Italy and online.
Based in Taipei, Taiwan, Hong-Kai Wang’s research-based practice confronts the politics of knowledge lost in colonial and diasporic encounters. Through experimental modes of sonic sociality, her multidisciplinary work seeks to conceive of other time-spaces at the intersection of lived experience, power and ‘listening.’ Wang’s work critically interweaves the production of desire, histories of labor and economies of cohabitation. She has presented projects at Asia Art Biennial 2019; Theater Commons Tokyo 2019; Sculpture Center New York; documenta 14; Taipei Biennial 2016; Liquid Architecture; and the Museum of Modern Art.