OPEN STUDIO: Morgan Switzer-Rodney

July 14th, 2021 by

OPEN STUDIO: Morgan Switzer-Rodney
July 16th – 30th, 2021

Hours: Wednesday to Saturday 3pm—7pm, or by appointment
 

Since last Fall, emerging artist, activist and podcast producer Morgan Switzer-Rodney has been working with mentor Syrus Marcus Ware to develop work around her family histories, Black futurisms and embodied, relational portraiture. As part of her mentorship, Morgan spent 4 weeks using our gallery space as a studio. Morgan will be hosting open studio visits for two weeks!

Please note adjusted visiting hours, or email communications@grunt.ca to book an appointment.

Morgan Switzer-Rodney is a young Black, kinky, queer femme, full-time activist and part-time artist residing on the stolen lands of the xʷməθkʷəy̓əm, S’ólh Téméxw, Skwxwú7mesh Úxwumixw, and səl̓ilwətaɁɬ peoples. She has been co-curator of a salon series called Black Chat for the last 4 years, making space for Black folks to simply exist and be Black while being fed both food & knowledge. Running this space out-of-pocket and her home space with her Aunt is a foundational act to counter the constant policing of Black lives, and shine a light on the importance of intergenerational organizing. This project has since blossomed into 3 streams of programming including the original gatherings, arts and cultural communal field trips and a podcast. Morgan’s art practice is rooted in conversation, communal care and being a part of the experience. She’s inspired by her ancestry, the beloveds around her, the world as she sees it and beyond how she can imagine it. She is a healer through practices of body painting, curation, and interviews. The inspirations in her work include storytelling, science fiction, intergenerational sharing, and what happens after the revolution(s). She believes in ancestral memory and abolition, and encourages everyone to explore the complexity of the messiness that is the human experience.

Syrus Marcus Ware is a Vanier Scholar, visual artist, activist, curator and educator. Syrus uses painting, installation and performance to explore social justice frameworks and Black activist culture. His work has been shown widely, including in a solo show at grunt gallery, Vancouver (2068:Touch Change) and new work commissioned for the 2019 Toronto Biennial of Art and the Ryerson Image Centre (Antarctica and Ancestors, Do You Read Us? (Dispatches from the Future)) and in group shows at the Art Gallery of Ontario, the University of Lethbridge Art Gallery, Art Gallery of York University, the Art Gallery of Windsor and as part of the curated content at Nuit Blanche 2017 (The Stolen People; Won’t Back Down). His performance works have been part of festivals across Canada, including at Cripping The Stage (Harbourfront Centre, 2016, 2019), Complex Social Change (University of Lethbridge Art Gallery, 2015) and Decolonizing and Decriminalizing Trans Genres (University of Winnipeg, 2015). Syrus holds a doctorate from York University in the Faculty of Environmental Studies. He is an Assistant Professor in the School of the Arts at McMaster University.

Accessibility Information:


grunt gallery is accessed from the sidewalk via a 106” long, 64” wide concrete ramp that rises 12”. The slope is 1 : 8.75. There are no rails on the ramp. The front entrance is a manually operated outward-swinging double door with a total width of 64”. Entry to the Media Lab behind the gallery space is via a 42” wide passage and entry to the neighbouring amenity space is through a manually operated outward swinging double door with a total width of 70”. No stairs, inclines, or elevators are necessary to access the public areas once inside the gallery.

grunt gallery has a single gender neutral washroom that is accessed via a 31” wide doorway with a sliding pocket door with a door handle that is 40” high. The toilet has a 10” clearance on the left side and a 21” clearance in front, with a support bar on the left side. Please email access@grunt.ca if you have any questions.

Image: Morgan Switzer-Rodney, research materials. Photo by Vanessa Kwan.

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