Vancouver Art Review: Part 1: “Mainstreeters: Taking Advantage 1972-1982” curated by Allison Collins and Michael Turner

Written by David McLeish, posted on Vancouver Art Review.

Finding the right way to discuss the show currently on at Satellite Gallery, “Mainstreeters: Taking Advantage 1972-1982” has been difficult. I’ve opted to split my review into two parts, the first part dealing with individual works, the second part offering broader reflections. It seemed reasonable to devote two reviews to this show, as it is clearly a major, multi-party undertaking whose contents require and deserve sustained engagement. Still, this review is much longer than I intended.

First, some background. The Mainstreeters (Kenneth Fletcher, Deborah Fong, Carol Hackett, Marlene MacGregor, Annastacia McDonald, Charles Rea, Jeanette Reinhardt and Paul Wong) were a self-described “art gang” who grew up around Main Street in Vancouver’s Mount Pleasant neighbourhood. They became friends in high school and, during the decade covered by the exhibit, they were active participants in Vancouver’s art scene. They worked mainly in video and performance. They also led art workshops, hosted “drag balls,” and dabbled in fashion modeling. Paul Wong and Charles Rea went on to have solo careers as artists, while other members pursued other paths.

[Read the entire review here]

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Drag Ball

After a 30-year hiatus, the legendary Mainstreeters Dragball that transformed Mt. Pleasant is back, featuring Vancouver’s best drag queens, DJs, performers, and Vera Wong as the outrageous Mistress of Ceremonies. Co-presented by The Grunt Gallery.

The Mainstreeters
From 1977 to 1985, the Mainstreeters’ Dragballs began as intimate studio events, developing into elaborate art parties with spectacular décor, performances, and DJs. Shaping an important chapter in Vancouver’s history, the Mainstreeters were an “art gang” of East Van rebels who were fearlessly open about their work, sexualities, and lifestyles, helping to build a Warhol Factory-like scene that still resonates today. This month’s dragball will be a showstopping night of old and new-school gender-bending drag queens, kings, and everything in between. There will be special performances, homages, and awards for Best in Drag—the perfect opportunity to finally express your “other” self and take it to the next level
takingadvantage.ca

House rules: Come in drag, or not at all! Bring out your creative best.

Performers: Vera Wang, Maria Toilette, Badkitty Lulu, Dairy Queens, Edward Malaprop, Jane Smoker, and Berlin Stiller.
DJs: HEAVEN record-spinners Trevor Risk & Patrick Campbell.
Visuals by: Paul Wong and Patrick Daggitt.

This event is part of Mainstreeters: Taking Advantage, on view at the Satellite Gallery until Mar 14, 2015.

Saturday, March 7th.
Fox Cabaret
2321 Main St.
10:30pm-2:00am

Tickets available through Eventbrite.

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Al Neil and Carole Itter’s Cabin: grunt gallery Field Trip

grunt gallery decided to take a field trip to Cate’s Cove to visit Al Neil and Carole Itter’s cabin. Other than Glenn, most of the staff had never visited the little shack located off the water. We first stopped at the bird sanctuary where Ken Lum’s from shangri-la to shangri-la is installed, despite the woods dwarfing the size of the shacks, they are bigger than one might think. By the way, one of these shacks reference Tom Burrows old cabin, he currently has an exhibition at the Belkin.

We then continued up the road to Cate’s Park where Glenn Alteen guided us down a little known path towards the cabin.

Considering all of the media attention the cabin has received recently and the efforts from Glenn and the gang at grunt to help increase much needed attention about this amazing piece of history, it was really important for all of the staff to actually visit the site and get a feeling of what that area was all about.

This is a sort of evolving sculpture, apparently when the King Tide occurred in December, the water rose to the platform of the cabin but luckily pieces from this work remained intact.

The cabin is a single room and it’s heated by a wood stove, it’s entirely made of wood and includes a small kitchen, a living room area, a piano and a bedroom space at the far end.

If you want to keep up with what’s happening with the cabin, ‘like’ the Facebook page here.

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Vancouver Sun: Artists fight to preserve historic, 80-year-old North Vancouver cabin

Photo from the Vancouver Sun Article | Vancouver artist and jazz musician Al Neil has been occupying a cabin by the waterfront in North Vancouver for decades. The cabin is slated to be removed by Jan. 31 to make way for property development.
Photograph by: Jenelle Schneider, SUN. See all here.


“For over 150 years squatters — artists, sailors who had jumped ship, bohemians and people unable or unwilling to pay rent — have made improvised homes for themselves along the shores of the Fraser River, Vancouver Harbour and Burrard Inlet.

Many were simply looking for a place to live, but others, including novelist Malcolm Lowry, poets Earle Birney, Dorothy Livesay, and Al Purdy and whale expert and Greenpeace founder Paul Spong used their homes as sites for important creative work.

More recently photographer Stan Douglas and visual artist Ken Lum have created works based on the homes of artists on the Burrard Inlet foreshore.

Now, the last surviving example of the unofficial residences on Burrard Inlet — a cabin near Cates Park on the North Shore that has served artistic collaborators Al Neil and Carole Itter variously as a residence and an artist’s workshop for decades — is under threat. Neil and Itter still use and maintain the one-room cabin, which has no plumbing and appears to be in sound condition.”

Read the full article.

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Globe & Mail Article: Vancouver artists fight to protect a colourful piece of the city’s art history

Photo Credit: Jim Jardine, 1989

“Ms. Itter, 75, is slowly emptying the cabin where she and Al Neil have been making art and music for decades. They received an eviction notice from Port Metro Vancouver in the fall with a Jan. 31 deadline to vacate, and a demolition permit has been issued for Feb. 1.”

“Now a number of prominent players on the local art scene are working to save the little cabin that tells a big story about Vancouver’s history.

The waterfront area was once home to a number of squatters – many of whom were artists, including the author Malcolm Lowry. He lived in a series of shacks in what is now Cates Park, where he wrote much of his classic Under the Volcano. The nearby cabin that has been home and studio to Mr. Neil and Ms. Itter is believed to have been made in Coal Harbour by a Scandinavian craftsman in the 1930s.

Mr. Neil, now 90 – a musician, composer and visual artist who received the Lifetime Achievement Award at the Vancouver Mayor’s Arts Award last year – has lived in the cabin on and off since 1966, serving as a sort of beach watchman for the company next door, McKenzie Barge. He initially paid rent to the shipyard – $15 a month, “and then eventually they said don’t bother,” says Ms. Itter, a sculptor and writer who joined Mr. Neil 13 years after he moved in.”

“’We live in such a redevelopment city and there’s so little of heritage that gets saved here and I think this is a very important piece of Vancouver heritage that we should all really think about before we let it go,’ says Glenn Alteen with the Grunt Gallery.”

Read the entire article here.

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MAINSTREETERS events: January – March

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MAINSTREETERS: Taking Advantage, 1972–1982 exhibition is at Satallite Gallery. Read more.

During the exhibition, Main Street Tapes will be show in storefronts along Main Street, including:
Eugene Choo, 3683 Main Street
Smoking Lily, 3634 Main Street
Lifetime Collective, 4386 Main Street

Performance of Kenneth Fletcher’s Camp Potlatch
Directed by Paul Wong
Thursday January 22 at 8pm
Location: Satellite Gallery

Exhibition Tour and Conversation with Allison Collins and Michael Turner
Saturday, January 31 at 2pm
Location: Satellite Gallery

Main Street Walking Tour with Paul Wong and Annastacia McDonald
Saturday, February 21 at 2pm
Meeting point: Helen’s Grill, 4102 Main Street

Drag Ball
Saturday, March 7
Location: Fox Cabaret, 2321 Main Street

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Kitchen: Part 3 – Notes

PART 3

Notes

The yellow table served as a bar, with wine kept in the cabinet next to the dishwasher, and beer stacked in the fridge to cool.

The kitchen is ready for something that hasn’t happened yet.

Julia Feyrer: Kitchen
November 1 – December 19, 2014
grunt.ca


PDF Download | Part 3 -Notes

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grunt gallery’s Annual Solstice Party

winter solstice 2014

Drinks, music,and merriment! Join us on Friday December 19th for our Annual Solstice Party.

This is also the closing night Julia Feyrer’s Kitchen exhibition, we hope to see you there!

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Kitchen: PART 2 – Recordings

PART 2

Recordings

There’s two stories I want to tell, or rather, steal.

In both cases, the mind wanders to what might have been. Let me explain:

Hillary Wood, a founding member of grunt, told me this. It was the old days, before grunt owned a space, or had regular funding. There were openings every 2 weeks, and on any given night you might find the kitchen crammed full of artists and friends, drinking late and talking loud. On this particular night, the exhibiting artist had brought her cat to the opening (as you do), an act that precipitated the toppling and subsequent jail break of a terrarium housing 2 black scorpions, which belonged to the upstairs loft tenant. One scorpion was recaptured immediately, but the other remained missing. “[T]he kitchen was packed, as usual. As there were gaps between many of the loft’s floorboards, and some larger holes where bits of the floor had broken, we spent the rest of the evening imagining the worst – that the scorpion would tumble down on someone’s head, or fall down their shirt. Or even worse, into their glass of wine! That would have been a fine panic. The party proceeded without incident, however, and the scorpion was found about a week later hiding under a carpet.”[1]

Sometimes I like to think of the way things might have been, existing, wonky twin-like, alongside the way things are. Time is a bit more elastic in this version of history and so I ask you to consider, for a moment, a scorpion in your drink.

Julia Feyrer wrote: “Half an hour after the show is over, a random viewer is staring into her refrigerator, vaguely bemused by the fact that her six-pack of beer has somehow become a two-pack of beer. Rather than work out how this might have happened, it occurs to her to wonder how in the hell the kitchen took 30 years to turn into a sculpture.”[2]

This is where things get really elastic. How do 30 years of history, exhibitions, performances, interactions, parties, arguments, meals, fundraisers and sundries make their way into a sculpture? (Hint: they don’t, not really.) But somewhere between the six-pack and the two-pack the sculpture got made, and this gallery flourished, and here all of us are.

If we are in the business of imagining, then let’s imagine that Kitchen uses time as sculptural material.  That time, like plaster, can be spread out and coaxed into new configurations, played out in the space of both perception and an exhibition. Feyrer interprets what is recorded (and what falls through cracks), making surfaces and shapes anew.

– Vanessa Kwan, November 20th, 2014

This is the second of three texts, to be released over the course of the exhibition.

 

 

 

Julia Feyrer: Kitchen
November 1 – December 19, 2014

For events information and updates, please visit grunt.ca

 


[1] Hillary Wood, e-mail interview, October 30th, 2014

[2] Julia Feyrer, personal correspondence, November 9th, 2014

 

PDF Download | Part 2 – Recordings 

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