Particles: Seoul to Vancouver 


Particles completes grunt’s exchange with organizations and artists in Seoul, South Korea. This international program began in 2018 with Instant Coffee’s project Pink Noise Pop Up , which saw curator Vanessa Kwan, artist collective Instant Coffee and Vancouver-based artists Jeneen Frei Njootli, Casey Wei, Krista Belle Stewart and Ron Tran mount an exhibition and a series of events at two partnering organizations in Seoul. This year’s program includes an artist residency, an exhibition and a curatorial visit.

RESIDENCY
Artist: Yaloo, April 18th – May 17th, 2019, Western Front Media Arts/ grunt gallery

Talk: Animation Show and Tell
Featuring Yaloo, with Howie Tsui and Lianne Zannier
April 25th, 7 PM.
Location: Grand Luxe Theatre at the Western Front.
Produced in collaboration with Western Front Media Arts

VISITING CURATORS
Curators: InYoung Yeo (Art Space One, Seoul) and Soojung Yi (National Museum of Modern and Contemporary Art, Seoul).
May 8th – 17th, 2019.

Curator’s Talk and Open House
InYoung Yeo and Soojung Yi with Yaloo
May 13th, 6:30 PM
Location: Grand Luxe Theatre at the Western Front

At this Curator’s talk, Seoul-based curators InYoung Yeo (Art Space One) and Soojung Yi (National Museum of Modern and Contemporary Art) will discuss digital technologies, art and urbanism. Yeo and Yi will address the conditions of production, collaboration and presentation in Korea and the influence of digital technologies on arts communities and the public realm. The event will also showcase the latest work in progress by Yaloo, developed while in residence at Western Front.

EXHIBITION
dot.dot.dot.
Artists: Sejin Kim and InYoung Yeo.
Curated by Vanessa Kwan with InYoung Yeo
May 10 – June 22, 2019.
Opening Reception: May 9, 7 – 10 PM. Location: grunt gallery

dot.dot.dot. brings together Seoul-based artists Sejin Kim and InYoung Yeo for their first presentations in Canada. Working at the intersection of media and installation, Kim and Yeo’s practices explore the omnipresence of interactive technologies and their varying effects on human experience. Far from decrying the advance of ‘the digital’ the artists represent an embedded yet critically engaged position. Their works contend, as we all must, with an embodied perspective in a technological environment that, in both promise and imperfection, is intertwined with our survival.

We gratefully acknowledge the financial support of the Province of British Columbia through the Ministry of Tourism, Arts and Culture. Particles: Seoul to Vancouver is produced in partnership with Western Front Media Arts, the Banff Centre for the Arts and Pacific Crossings


Participant Bios

Yaloo is a media artist currently based in Seoul and Chicago. Her work creates poetic narratives that explore regionalism, consumer culture and digital interactivity using transcultural icons such as corn, ginseng, and cosmetics. Via alternative video imaging technologies such as video projection mapping, sublimation transfer techniques and virtual reality, intimate relationships between consumerism and regionalism are mediated in spectacular, multi-faceted digital landscapes. She completed an MFA (2015) and BFA (2011) from the School of the Art Institute of Chicago with a focus on digital image-making and digital installation. She was the first recipient of Lyn Blumenthal Memorial Scholarship by Video Data Bank (VDB). Since 2009 she has shown her work internationally, including exhibitions in Seoul, Malmö, Frankfurt, Brooklyn, Seattle, Columbus, and Chicago. Her work is often site-specific with a strong research component, and recent residencies include the Bemis Studio Art Centre, Fukuoka Asian Museum of Art, Headlands Centre for the Arts, and High Concept Labs, Chicago

InYoung Yeo is an independent curator and director. With a background in English Literature, Illustration and Fine Art in countries including UK, US and Korea, she founded Space One, an independent artist-run space, in Seoul in 2014. Since then, she has put together various collaborative exhibitions, working and experimenting with emerging artists and art spaces from Korea, Japan, Taiwan, Germany, UK, US and Canada, among others. Some of her recent curatorial projects and exhibitions include Intersections of Common Space and Time supported by Seoul Art Foundation, Goethe-Institut Seoul; Gender Hierarchy supported by Geothe-Institut Singapore in collaboration with Grey Projects Singapore; A.I.MAGINE Seoul City, Seoul National University commissioned, Seoul Digital Foundation, Seoul Data Science Lab Project; a three-way dialogue with the Seoul Biennale of Architecture and Urbanism 2017; East Asia Goethe-Institut project ‘A Better Version of 人’ programs in Korea.

Soojung Yi was born in Busan, Korea. Yi worked for Daejeon Museum of Art as Curator of Media Art and worked for Art Center Nabi (Seoul) as a creative director, where her focus was the production of media art for the public realm. There she researched the rising number of media façades in urban space and its interaction with the public. She joined the National Museum of Modern and Contemporary Art (Seoul) 2012 and has been working for the exhibition and projects related to media arts. Her previous projects include The Future is Now! New Media Collection from MMCA, Korea, Younghae Chang Heavy Industries (2013); Shirin Neshat (2014); Infinite Challenge-Women Media Pioneers in Asia, Anechoic Project-experimental films and music performances (2014); and William Kentridge (2015).

Sejin Kim received her MFA in Fine Art from Slade School of Fine Art in London and MA in Film/TV from Sogang University in Seoul. She works with a variety of media apparatuses, including documentary realism and cinematic language to explore relationships between individuals and contemporary cultural systems. Her work has been shown internationally including selected solo exhibitions: The Chronology of Chance, Media Theater, Seoul; Prizma Residency #1, Prizma Space, Istanbul, Turkey; The Proximity of Longing, Cultural Station 284, Seoul. Selected group exhibitions include The Arrival of New Women, National Museum of Modern and Contemporary Art, Seoul; Galaxias Maculates, Museo de Arte Contemporaneo de Valdivia, Chile; Future is Now!, La Friche Belle de Mai, Marseille, France; The Shade of Prosperity, INIVA, London; Bloomberg New Contemporaries 2011, ICA Gallery, London & S1 Art Space, Sheffield, UK; Life Stage, Art Centre Nabi, Seoul; The 4th Gwangju Biennale: PAUSE. She is the recipient of the Songeun Art Prize, Bloomberg New Contemporaries), and The 4th DAUM Prize and she has participated in artist residencies at HIAP-Helsinki international Artist Program, SeMA Nanji Art Studio, Seoul, ISCP-International Studio & Curatorial Program, New York, Seoul Art Space_Geumcheon, Seoul, Goyang National Art Studio, and Taipei Artist Village, Taiwan.

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Spark: Fireside Artist Talks

Spark: Fireside Artist Talks is an informal lunchtime artist talk series hosted by grunt gallery in the Native Education College’s longhouse on the third Thursday of each month. Featuring emerging Indigenous artists with diverse practices ranging from animation to street art, spoken word to sculpture. Bring a bag lunch or grab some home cookin’ from the NEC’s canteen and join in the conversation by the fire as we talk about what inspires artists to make work

Bonus – Spark Talk No.26 feat. Meagan Musseau

Thursday, April 27
grunt gallery 7 PM

Interdisciplinary visual artist Meagan Musseau (Elmastukwek, Ktaqmkuk territory –– Bay of Islands, Newfoundland) will be making a stop at the grunt gallery on April 25 as a part of her multi-city speaking tour funded by the Banff Centre. Musseau is the winner of the 2018 Emerging Atlantic Artist Residency, which includes an eight-week fully funded residency at Banff Centre for Arts and Creativity followed by the opportunity to travel across Canada to speak about her experience and project.

Spark: Fireside Artist Talk No. 25 feat. Kali Spitzer

Thursday, April 18, 12:15-1:00pm
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Image: INDIGENOUS MOTHERHOOD (Erena and Padi) 2018

Kali Spitzer is Kaska Dena from Daylu (Lower Post, British Columbia) on her father’s side and Jewish from Transylvania, Romania on her mother’s side. She is from the Yukon and grew up on the West Coast of British Columbia in Canada on unceded Coast Salish Territory. She is a trans disciplinary artist who mainly works with film — 35mm, 120 and wet plate collodion process using an 8×10 camera. Her work includes portraits, figure studies, and photographs of her people, ceremonies, and culture. Her work has been exhibited and recognized internationally. Spitzer recently received a Reveal Indigenous Art Award from the Hnatyshyn Foundation and was featured in the National Geographic and Photo Life in 2018.

**She/her pronouns

Website: https://kalispitzer

Spark: Fireside Artist Talk No. 24 feat. Alanna Edwards

Thursday, Mar 21, 12:15-1:00pm
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Alanna Edwards is a multi-disciplinary artist of Mi’gmaq and settler descent whose work,
through the use of humour, explores themes of belonging, authenticity, and the
everyday. Interested in more than just making “funny native art” Alanna interrogates
what makes us laugh, why, and how humour is used as a strategy for resistance. Working
also with video, she explores familial relationships and the myths and stories we pass
down through generations. She has a BA in Political Science and Gender, Sexuality,
and Women’s Studies from SFU, a diploma in Fine Arts from Langara College, and is
currently finishing her BFA at Kwantlen University.

**She/her pronouns

Website: https://freebleed.com/

Instagram: freebleeding

Spark: Fireside Artist Talk No. 23 feat. Anne & Jeane Riley

Thursday, Feb 21, 12:15-1:00pm
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Jeane and Anne Riley are Dene/Cree twins and will be presenting their talk, Radical Softening: the practice of art and social work, speaking about their individual and collective practice(s) since graduating from the Native Education College where they both received a certificate in the Family and Community Counseling Program. The title of their talk is inspired by their most recent adventure together as participants in the Dene Nahjo Moose Hide Tanning Art residency this past September at the Banff Centre. As Dene twins they will share how the residency has impacted their ongoing practices in art, social work, and twindian dreams and conversations.

Anne Riley is an Indigiqueer multidisciplinary artist living as an uninvited Slavey Dene/Cree/German guest from Fort Nelson First Nation on the unceceded Territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səlí̓lwətaʔɬ (Tsleil-waututh) Nations. Her work explores different ways of being and becoming, touch, and Indigeneity. She received her BFA from the University of Texas at Austin in 2012 and in 2016 she graduated from the Native Education College with a Certificate in Family and Community Counselling. She has exhibited both in the United States and Canada. Currently, she is working on a public art project commissioned by the City of Vancouver with her collaborator T’uy’tanat Cease Wyss. Wyss and Riley’s project- A Constellation of Remediation consists of Indigenous Remediation Gardens planted throughout the city decolonizing and healing the dirt back to soil.

*she/her pronouns
website: http://anne-riley.com/http://anne-riley.com/
Instagram: anne_riley_

Jeane Riley is from Fort Nelson First Nation and is of Dene/Cree/German ancestry. She currently works and lives as an uninvited guest on the unceded, traditional and ancestral homelands of the Coast Salish People, specifically the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səlí̓lwətaʔɬ (Tsleil-waututh) Nations. Jeane attended the Native Education College and received a certificate in the Family and Community Counselling Program in 2013. Jeane then went on to complete her Masters in Social Work at The University of British Columbia and currently works at BC Women’s Hospital as a social worker. Jeane also works as a community based researcher and is currently working on a project regarding the child welfare system.

**she/her pronouns

Spark: Fireside Artist Talk No. 22 feat. Krystle Coughlin

Thursday, Jan 17th, 12:15-1:00pm
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

I am a Selkirk First Nation visual artist residing in New Westminster, BC. I hold a B.F.A in Visual Art (2015); and a B.A. in Gender, Race, Sexuality and Social Justice from UBC (2013). I am currently an M.F.A. candidate at Simon Fraser University’s school of contemporary arts. My artistic practice blends different materials, methodologies, and symbols to create conceptual works. I am influenced by Indigenous feminism, post-structuralism, anti-colonialism, and activism. My work often addresses contemporary issues faced by urban Indigenous identity politics and personal experiences. I seek to challenge misconceptions of Indigeneity and Feminisms through visual mediums. My work employs Northwest First Nations design elements and practices with unconventional art materials. This year I was a finalist for both the RBC painting competition and the Philip Lind Prize for contemporary photography.

Spark: Fireside Artist Talk No. 21 feat. Chandra Melting Tallow

Thursday, November 15, 2018
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

 

Chandra Melting Tallow is an interdisciplinary artist, film-maker, and musician of mixed ancestry from the Siksika Nation. In 2017 they produced a short film, composed a live soundtrack and an accompanying performance for Unsettling Colonial Gender Boundaries as part of Queer Arts Fest entitled, Rapture of Roses. They have directed, edited and filmed a number of music videos and experimental films including co-editing Coney Island Baby, a short film collaboration with Gabrielle L’Hirondelle Hill, Jeneen Frei Njootli and Tania Willard in addition to composing the soundtrack. Common themes throughout their practice involve confronting ghosts of intergenerational trauma and their relationship to the body and utilizing humour to subvert oppressive structures of power and surrealism.

**They/Them pronouns

Art: http://chandrameltingtallow.blogspot.com/

Music: https://soundcloud.com/mourningcoup

Spark: Fireside Artist Talk No. 20 feat. Vi Levitt

Thursday, October 18, 2018
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

As a composer and producer Vi defines themselves as a ‘mixed race bastard musician in the intersections of tradition and contemporary’. As a burgeoning musician based out of Vancouver, their music features influences from the UK underground scene, their Jewish and Metis heritage, Classical Western and South Asian music, and a variety of artists around the globe. Having worked with Goth DJs, Folk singers and Jazz artists alike, Vi’s work focuses on creating a sound that merges the sounds that define their life and the futures they wish to live to see. As a relative newcomer to the Vancouver music scene, Vi has throughout their career been: a singer-songwriter, a choral composer, a classical musician, a member of the ‘New Wave of Indigenous Electronica’ and things in between. Rhyme and song, Vi’s work has been published in Matrix Magazine, and recently they took part in the New Constellations Digital Mentorship program.

**They/them pronouns
Vi on soundcloud

Spark: Fireside Artist Talk No. 19 feat. Whess Harman

Thursday, April 19, 2018
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Whess Harman was born in Prince Rupert, BC and is from the Carrier Witat, Lake Babine Nation. Harman predominantly works in print, illustration, beading, and text. They completed their BFA at Emily Carr University in 2014 and received the Early Career Development grant from the BC Arts Council in 2016. Their work has been shown in recent group exhibitions such as the Language as Puncture show at Gallery 101 in Ottawa, ON and the Pushing Boundaries show at the Cityscape Community Artspace in North Vancouver, BC.

***they/them/their pronouns.

Spark: Fireside Artist Talk No. 18 feat. Levi Nelson

Thursday, March 15, 2018
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

LNelson

Levi Nelson is from the Lil’wat Nation located in Mount Currie, British Columbia. He is currently in his third year at Emily Carr University of Art + Design majoring in visual arts, with a focus on painting. Levi favours the medium of oil paint and has most recently taken an interest in print making, via silkscreen and lithography. His work can be described as contemporary First Nations art; fusing traditional North West Coast shape and form-line with conventional colours and composition. This past year Levi has exhibited his work in the Emily Carr University annual Aboriginal Art Exhibition, the Museum of Anthropology, the Talking Stick Festival and in the Pushing Boundaries show at North Vancouver City Art Scape.

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Spark: Fireside Artist Talk No. 17 feat. Raven John

Thursday, February 15, 2018
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Raven John (Exwetlaq) is a First Nations, feminist, and queer artist from the Coast Salish and Stó:lō Nation in the Lower Mainland. Her work encompasses both her past and identity in many ways through mere existence, defiance, and the examination of colonialist, patriarchal and classist systems of value in art. She does this by activating space through sculpture, installation, and surreality. John is a recent graduate from both the Native Education College (Northwest Jewelry Arts Program) and Emily Carr University of Art and Design (BFA in Visual Arts and Social Practice And Community Engagement).

https://www.ravenjohn.com/

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Spark: Fireside Artist Talk No. 16 feat. Lacie Burning

Thursday, January 18, 2018
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Lacie Burning is a Kanien’kehá:ka (Mohawk) and Onondaga (patrilineally) artist and curator raised on Six Nations of the Grand River located in Southern Ontario. They work in photography, video, installation, and sculpture and are currently in their third year of studies in the Visual Fine Arts program at Emily Carr University of Art + Design. Having come from a culturally and politically grounded upbringing, their work focuses on politics of Indigeneity and identity from a Haudenosaunee perspective.

Home

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Spark: Fireside Artist Talk No. 15 feat. Madelaine McCallum

Thursday, November 16, 2017
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

dancing

Madelaine McCallum graces the stage with her gentle yet powerful presence and takes her audience through an extraordinary journey of transformation and healing. Through dance and the spiritual teachings of her father, Madelaine has found a powerful way to share her culture. Her life story is all about discovering “the Fire Within.” When she left her home community her goal was to break the unhealthy cycles of addiction. Her story of survival leaves no one indifferent. She tells the story of how it took many years to break the cycle of violence and broken relationships to emerge changed, reborn, and aptly named Strong Earth Women.

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Spark: Fireside Artist Talk No. 14 feat. Raven John

*  POSTPONED TO FEBRUARY 15, 2018 *
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Spark: Fireside Artist Talk No. 13 feat. Cole Pauls

Thursday, September 21, 2017
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

CPauls_Headshot.Pizza

Cole Pauls is a Tahltan comic artist, illustrator and printmaker hailing from Haines Junction (Yukon Territory) with a BFA in Illustration from Emily Carr University. Residing in Vancouver, Pauls focuses on his two comic series, the first being Pizza Punks: a self contained comic strip about punks eating pizza, the other is called Dakwäkãda Warriors, which is about two Southern Tutchone Earth Protectors saving the earth from evil pioneers and cyborg sasquatches using language revitalization.

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Spark: Fireside Artist Talk No. 12 feat. Anchi Lin

Thursday, April 20, 2017
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Anchilin_TattoOnFaces

Anchi Lin is an artist of Taiwanese Atayal heritage who lives and works in Vancouver. Her work negotiates and interfaces with concepts such as language, identity, gender and cultural norms. Her heritage has served as a catalyst for her exploration of these concepts. Lin received a BFA in Visual Art from Simon Fraser University School for the Contemporary Arts. She was the recipient of the Vancouver Contemporary Art Gallery Emerging Artist Award and the Bob Rennie Undergraduate Award in Visual Art. She has exhibited at several galleries in both Vancouver, and Taipei.

Image: Anchi Lin, Tattoo on Faces, video performance (still), 2014. Courtesy of the artist.

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Spark: Fireside Artist Talk No. 11 feat. Sarah Shamash

Thursday, March 16, 2017
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

1_AcaNada

Sarah Shamash is a Vancouver based media artist and PhD candidate in the Interdisciplinary studies program at UBC. Influenced by cinema, her experimental projects typically explore identities and geographies as personal, political, feminine and dynamic, while critiquing and subverting fixed, colonial and hegemonic demarcations of the body, territory, and space. She is currently teaching a film studies course she designed on Latin American cinema at UBC and programming films for the Vancouver Latin American Film Festival. Her work as an artist, researcher, educator, and programmer can be understood as interconnected and whole; they all revolve around a passion for cinema.

http://sarahshamash.com/

Image: Sarah Shamash, Aca Nada / Aca Elsewhere (still), 2015, video, 5:54.

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Spark: Fireside Artist Talk No. 10 feat. Elle-Máijá Tailfeathers

Thursday, February 16, 2017
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Elle-Máijá Tailfeathers is a filmmaker, writer, and actor. She is Blackfoot from the Kainai First Nation (Blood Reserve) as well as Sámi from northern Norway and resides on the traditional, ancestral, and unceded territory of the  xʷməθkʷəy̓əm, Tsleil-Waututh, and Skwxwú7mesh peoples. She is a recipient of the Vancouver Mayor’s Arts Award and a Kodak Image Award for her work as an emerging filmmaker. Her short documentary, Bihttoš, was included in the TIFF Top Ten Canadian Shorts, won the Grand Jury Prize for Best Short Documentary at the Seattle International Film Festival, and was also nominated for a Canadian Screen Award and a Leo Award for Best Short Documentary. She is an alumni of the Berlinale Talent Lab and the Hot Docs Accelerator Lab.

http://elle-maija-tailfeathers.com/

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Spark: Fireside Artist Talk No. 9 feat. Dusty Hagerüd

Thursday, January 26, 2017
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Dusty Hagerud Sept 13 2015

Dusty Hagerüd has been obsessed with animated objects, moving illustration and storytelling from birth. From Ktunaxa, English and Norwegian heritage, myth, legend and fairytale is fuel to his creative fire. Creative director and founder of a company who designs and fabricates puppets, Color Sound Lab, Hagerud has worked in puppetry for over 18 years in western Canada.  In theatre, film and television, his work with marionettes, hand and rod puppets, bunraku and shadow puppets has enabled him to apply modern approaches to a tradition that stems from one of the earliest forms of storytelling.

Dusty was a recipient of a 2009 Leo Award for Anachronism Pictures’ The Anachronism and 2015 Jessie Award for Monster Theatre’s production of The Little Prince. He is one of the co-founders of the Vancouver International Puppet Festival, which had it’s inaugural debut this past October to a resounding success.

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Spark: Fireside Artist Talk No. 8 feat. JB the First Lady

Thursday, November 17, 2016
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

jb

Jerilynn Webster, aka JB the First Lady, is a member of the Nuxalk & Onondaga Nations. She is a Vancouver-based female hip hop/spoken word artist, beat-boxer, cultural dancer and youth educator. “using [her] words to go upwards/not backwards.” These are lyrics that describe what JB tries to convey in her music. JB has performed at over 500 hip hop shows, anywhere from auditoriums to Annual General Meetings for community organizations. She is spreading the words of empowerment & the perspective of urban indigenous women in Canada. Hip Hop is her chosen avenue of expression. JB’s music is lyrically motivated with depth, meaning, and positivity like none other. She has released 4 albums to date, “Indigenous Love” (2008); “Get Ready, Get Steady” (2011) and “Indigenous Girl Lifestyle” (2014) and the 2015 IMA winning album “Indigenized by Entertribal” in collaboration with Chief Rock.

JB is the 2015 winner of the Indigenous Music Award for Best Album Cover. She is a 5-time nominated artist at the Aboriginal Peoples Choice Music Awards, the only female to ever be nominated for Best Hip Hop Album (twice), and has been nominated previously for Best Pop Album & Best Album Cover.

JB wants young indigenous women to feel proud, inspired, and to see someone on stage that looks like them; representing indigenous women in mainstream media.

http://www.jbthefirstlady.com/

RSVP to the Facebook event here.

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Spark: Fireside Artist Talk No. 7 feat. Rodrigo Hernandez-Gomez

Thursday, October 20, 2016
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Rodrigo Hernandez-Gomez was born in the valley of Anahuac (Mexico City) and raised near the Xitle, he is of Nahua/Mexican descent and currently lives in unceeded Coast Sailish Territory (Vancouver). He graduated in 2010 from the MFA program at York University and in 2013 was a co-organizer of the Decolonial Aesthetics Symposium in Toronto. His installations, new-media work, wearable art pieces and performative projects have been presented internationally, including contributions to the Hemispheric Encuentro in Sao Paolo, Brazil the National Museum of Art, La Paz, Bolivia and the Justina M. Barnicke Gallery, Toronto. Rodrigo is a founding member of AYOTZI 68; a cultural organization for supporting hemispheric indigenous sharing through anti-capitalist strategies and combining skills from the fields of contemporary art, radical education and food sovereignty movements. As a member of La Lleca Collectiva (Mexico City), E-fagia LA media arts (Toronto), AYOTZI 68 (Vancouver), and in his ongoing collaborations with other artists, Rodrigo speaks with actions in his commitment to a multi-linear artistic practice that is critical, intellectual and collective.

RSVP to the Facebook event here.

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Spark: Fireside Artist Talk No. 6 feat. Bracken Hanuse Corlett

Thursday, September 29, 2016
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Bracken Hanuse Corlett_Headshot

Bracken Hanuse Corlett is an interdisciplinary artist hailing from the Wuikinuxv and Klahoose Nations. He began working in theatre and performance 16 years ago, before transitioning to a practice that fuses digital-media, audio-visual performance, writing, painting, sculpture and drawing. His work combines traditional Indigenous iconography and history with new media and concepts that exist within cyclical space.

He is the co-founder of the Vancouver Indigenous Media Arts Festival. Over the last five years he has performed across the country as a member of the audio-visual collective Skookum Sound System and currently in the DJ/VJ duo See Monsters. He is a graduate of the En’owkin Centre of Indigenous Art and went to Emily Carr University of Art and Design for a B.F.A. in Visual Arts. He has also studied Northwest Coast art, carving and design from acclaimed Heiltsuk artists Bradley Hunt and his sons Shawn Hunt and Dean Hunt.

Some of his notable exhibitions, performances and screenings have been at grunt gallery, the Museum of Anthropology, Unit PITT Projects, Vancouver International Film Festival (Vancouver), Three Walls Gallery (Chicago), Ottawa International Animation Festival, SAW Gallery (Ottawa), Royal BC Museum, Open Space (Victoria), Winnipeg Art Gallery, Urban Shaman (Winnipeg), Sâkêwêwak Artists’ Collective, Mackenzie Art Gallery (Regina), Atlantic Film Festival, Tidal Force – Independent Media Arts Alliance (Halifax), Art Mur, Sommets du Cinéma D’animation (Montreal), ImagineNative, Toronto International Film Festival, Music Gallery (Toronto).

RSVP to the Facebook event here.

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Spark: Fireside Artist Talk No. 5 feat. Amanda Strong

Thursday, April 21, 2016
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Amanda Strong is a Michif filmmaker, media artist and stop motion director currently based out of the unceded Coast Salish territory also known as Vancouver. She is the owner and director of Spotted Fawn Productions, an animation and media-based studio creating short films, commercial projects and workshops. A labour of love, Amanda’s productions collaborate with a diverse and talented group of artists putting emphasis on support and training women and Indigenous artists.

Amanda’s work explores ideas of blood memory and Indigenous ideology. Her background in photography, illustration and media extend into her award-winning stop motion animations. Her films Indigo and Mia’ challenge conventional structures of storytelling in cinema and have screened internationally, most notably at Cannes, TIFF, VIFF, and Ottawa International Animation Festival. Amanda has received numerous grants from the Canada Council for the Arts, Ontario Arts Council and the NFB. In 2013, Amanda was the recipient K.M. Hunter Artist Award for Film and Video, and most recently the recipient of the Vancouver Mayors Arts Awards for Emerging Film and Media Artist. Amanda is currently working on her latest short animation Four Faces of the Moon for CBC Short Docs. The story is told in four chapters, exploring the reclamation of language and Nationhood, while peeling back the layers of Canada’s colonial history, revealing Canada’s extermination agenda on the buffalo.

> Check out Amanda’s website

> link to Facebook event

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Spark: Fireside Artist Talk No. 4 feat. Cease Wyss & Hans Winkler

Thursday, April 7, 2016
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

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Archeological evidence suggests that Hawaiians came to the island of Kaho‘olawe as early as 400 A.D., and settled in small fishing villages along the island’s coast. For hundreds of years, Kaho‘olawe served as a navigational center, the site of an adze quarry, an agricultural center, and a site for religious and cultural ceremonies.

But as modern times rolled in, Kaho‘olawe began to undergo a harsh evolution. It would be used as a penal colony to exile prisoners from the general populace, for sheep and cattle ranching, until World War II when the island was occupied by the US military from 1942 – 1990 as a training zone for bomb testing and air warfare technology.

Sustained protest by the Hawaiian population and eventual litigation forced an end to the bombing, and after a 10-year period of artillery removal, control was transferred back to the state of Hawaii in 2003. The island is currently uninhabitable and accessible only to Native Polynesians, strictly within the context of cultural or spiritual purposes, restoration, planting work, and re-vegetation.

Hans Winkler gained access to the restricted island in 2013 and in 2014 Cease Wyss joined him to explore the possibilities of artistic projects. In this talk they discuss their experiences and plans for their projects. Wyss will discuss her project “Kanaka Ranch to Kaho’olawe Island: Ephemeral Canoe Art” which explores similarities between Hawaiian and West Coast BC canoe cultures, while Winkler will present “Zero Zone” his mapping project of the island.

FEATURED ARTISTS:

T’uy’t’tanat Cease Wyss (Skwxwu7mesh/Sto:Lo//Hawaiian/Swiss). My work spans over two and a half decades, working with artists and communities on projects that utilize technology and community engagement as a means of sharing stories. Web-based works like Picto-Prophecy (2012) – with En’owkin Centre’s Ullus Collective – and public art such as Talking Poles (2009) – Surrey Cultural Capital Art Award – & the Stanley Park Environmental Art Project (2009) all take site specific inspirations and the stories of our past that inform us in the present, while looking towards the future and what part we play in the timeline of our ancestry. Culture and spirituality feed my soul and fuel my creativity. Throughout my life I have been training my spirit to reconnect to my ancestors and bring the stories back to my family and community that we lost through colonization and the Residential Schools. Whether I bring communities together through interactivity like geocaching games or building food security programs the art I engage in plays a significant role.

Hans Winkler (b. 1955) is an artist and curator who lives and works in Berlin and New York. Since 1999, he has been Visiting Artist and Lecturer at the San Francisco Art Institute. Winkler’s art projects include “The Escape of the Iceman/Ötzi” (2008) in collaboration with the Department of Archaeology at EURAC, Bolzano and the Museum of Modern Art; “Held Saga” (2005) at Adademie der Kuenste, Berlin. Recently co-curated exhibitions include “California Conceptual Art” (2010) with Paul Kos and Tony Labat at ar/ge kunst in Bolzano, Italy; and “legal/illegal” (2004) with Helen Adkins and Kai Bauer at NGBK, Berlin.

> link to Facebook event

> link to write-up on Media Democracy Project, written by Sydney Ball

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Spark: Fireside Artist Talk No. 3 feat. Larissa Healey

Thursday, March 17, 2016
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Larissa Healey-1

Larissa Healey (aka Gurl23) is an Ojibway mural artist and an inspirational leader for street youth drop-in cultural programs like the Museum of Anthropology’s Native Youth Program, one of Canada’s longest running First Nations programs.

Larissa’s artwork has been seen at The Vancouver Art Gallery, The Bill Reid Gallery, Power Plant Gallery, The National Gallery of Canada and The Museum of Anthropology, to name a few.  You might also recognize her work from underneath the Granville Street Bridge at the entrance to Granville Island, among many other places.

> link to Facebook event

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Spark: Fireside Artist Talk No. 2 feat. Mark Igloliorte

February 18, 2016
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

Igloliorte15marki2010UntitledDiptychMark Igloliorte, our featured speaker for February, is an artist who was born in Corner Brook, Newfoundland and grew up in Happy Valley-Goose Bay, Labrador. His artistic work is primarily painting and drawing. He has exhibited in group and solo shows across Canada.

Recently, Igloliorte has participated in national and international exhibitions such as Beat Nation, Vancouver Art Gallery, Vancouver, BC; Le Nouveau Pleinairisme, Musée national des beaux-arts du Québec, Québec, QC; drift, (Solo), curator Ryan Rice, The Toronto Free Gallery, Toronto, ON; and The Québec Triennial 2011: The Work Ahead of Us, Musée d’art contemporain de Montréal, Montréal QC.

He has been the recipient of a number of awards and grants including the Lillian Vineberg Award in Painting and Drawing, The Newfoundland and Labrador Arts Council Visual Arts Grant, and a Canada Council for the Arts Emerging Artist Grant. Igloliorte is represented by Gallerie Donald Browne.

As an Inuk, Igloliorte’s work draws from his Labradorian background and communities of Happy Valley-Goose Bay and Hopedale. He has been recognized as a Labrador Inuit Role Model by the Nunatsiavut Government. In the summer of 2008 and 2009 he worked with several groups of Inuit Youth delivering painting and drawing workshops funded in part by The National Aboriginal Youth Suicide Prevention Strategy (NAYSPS).

He holds both a Bachelor of Education (Intermediate/Secondary) from Memorial University of Newfoundland and a Bachelor of Fine Art, Major in Fine Art from the Nova Scotia College of Art and Design and a Master’s of Fine Art, Studio Art – Painting and Drawing from Concordia University School of Graduate Studies.

Igloliorte is an Assistant Professor at Emily Carr University of Art and Design.

> Mark’s website: markigloliorte.net

> Read an article about Mark and his works in BeatRoute.

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Spark: Fireside Artist Talk No. 1 feat. Osvaldo Ramirez Castillo

January 21, 2106
Native Education College
285 East 5th Avenue
12:15 – 1:00 pm

osvaldo image

Vancouver-based artist Osvaldo Ramirez Castillo explores issues around collective memory, historical trauma, and cultural identity in relation to the violence that occurred against civilians during the 12-year Civil War in El Salvador.

A series of mixed media drawings depict surreal and vibrant scenes filled with creatures in uniform; fragmented bodies tense with sinew and muscle; and carefully drawn figures with faces partially obscured or obliterated. Iconography sourced from North American vernacular culture, Pre-Columbian mythology, and Salvadoran popular folklore is amalgamated to explore the role of non-linear storytelling expressed in mythic form.

Artist Bio:

Born in El Salvador, Castillo immigrated to Canada in 1989 at the age of 11. He attended the Ontario College of Art and Design (Toronto 1998-2001) and received an MFA from Concordia University (2004-2007). A previous resident of Montreal, Castillo relocated to Vancouver in 2013.

> Read a brief article about Catastrophe, Memory, Reconciliation.

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