New Work on the Mount Pleasant Community Art Screen!

As of Wednesday November 4th, 2020, grunt gallery has launched an exciting and diverse selection of new works on the Mount Pleasant Community Art Screen! Continuing with our PLACE programming theme, these new works reflect, engage with and enrich the intricate cultural history of Vancouver’s Mount Pleasant neighbourhood. Through works by artists, collectives, curators and other community members, PLACE explores the complexities of the area’s histories of displacement, creativity, expansion and grit. Language, identity, housing, city streets, food, landmarks, loss, memories, narratives of the past and imagined futures are contemplated and celebrated through film, video, photography, performance, painting, GIFs, glitches and collage.

Charlene Vickers’ Cool Indians on Main Street features Indigenous artists’ open-ended statements about Indigenous presence and benchin — the act of gathering socially to sit on a bench to people watch, share ideas and stories, and be together. Shot on 16mm film, ghosts of cambie by Caroline So Jung Lee captures Cambie Street’s Hong Kong migrant community, once a major force in shaping the architectural and cultural landscape of the area but now rapidly disappearing. Co-founder of Artemisia Gallery Lisa g Nielsen gathers memories of this short-lived art space on east 7th that welcomed a community of feminist artists in the early 1990s. RAPTURE showcases work by Dene artist Zachery Longboy curated by Métis artist Justin Ducharme, exploring the feelings of being in queer Indigenous bodies and celebrating their two spirit kin. These works and many more reflect our ever-evolving neighbourhood back to us, presented on a 4×7 metre outdoor urban screen located on the Independent Building at Kingsway and Broadway. As we continue to weather this challenging year apart but together, the remarkable range of work on the MPCAS shines a light on what it means to live in our unique community of Mount Pleasant. You can read more about the new programming and find the full list of artists on the MPCAS website here.

Autumn / Winter Screen Hours:
Sunday to Thursday: 9:00 AM to 9:30 PM
Friday & Saturday:  9:00 AM to 10:30 PM

 

The MPCAS is produced by grunt gallery and generously supported by the Vancouver Foundation, RIZE corporation, Canada Council for the Arts, the City of Vancouver and Creative BC.

 

Images (clockwise from top left): Gloria Wong, Rituals, video (still); Cheyenne Rain LeGrande, Maskekewapoy ᒪᐢᑫᑫᐊᐧᐳᕀ, video (still); Lois Klassen, Flowers for Joyce, film (still); Jupiter Brahms, Grocery Stores, painting.

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Job Call: Curator

Job Posting
Position: Curator
Location: grunt gallery
Reporting to: Program Director
Term: Part-time, permanent. 25 hours/week. Evening and weekend work. Flexible schedule.
Remuneration: $30/ hour
Start Date: January 5, 2021

Application deadline: 4pm PST, Friday, October 30th, 2020
To apply: Please send your resume and cover letter by email to Meagan Kus at meagan@grunt.ca

About grunt gallery
grunt gallery was founded in 1984 on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations (Vancouver, Canada) and is one of the region’s most established artist run centres. The gallery offers exhibitions, special projects and public programming with a focus on practices and perspectives that have, since the beginning, questioned established values in contemporary art production.

grunt was formed in 1984 by a group of 8 artists as a venue for artists and their work. Since then the organization has worked within local, national and international artist communities to provide an inclusive and supportive environment for the development of innovative and provocative contemporary art. Very early on grunt began collaborating with other organizations to realize projects otherwise beyond a single organization’s capacity.

In the early 1990s grunt began working with Indigenous art communities to provide a venue for contemporary production. This relationship has done much to define the organization since that time. grunt has not only been a significant venue for Indigenous production in Canada and internationally, but has had continuous participation on the staff and board team throughout this history. We have also provided an ongoing opportunity for residencies for Indigenous curators, researchers, writers and artists. We have similarly been guided by ongoing relationships with BIPOC and queer/ LGBTQIA2S+ arts communities.

grunt has been invested in ideas of ‘decolonization’ and intersectionality long before these terms were widely in use. Our experience working with artists and communities of diverse perspectives is well-known across the country and we continue to build capacity within the organization to grow in the service of this core mandate of diversity and creative innovation. These priorities comprise the fabric of our organization – and we strive to remain self-reflexive and evolving in the expression of them. Currently the organization is engaged in a 5-year process evaluating the accessibility of our systems and programs from an anti-oppression framework. This involves all levels of the organization.

Our programming scope has grown significantly over the years from a facility that primarily supported exhibitions, publications and performance to one that produces a wider range of activities, including: multi-partner collaborative projects, online project sites and expansive digital resources, site-specific artist projects, artist-residencies, public art projects, international artistic exchanges and a vital, growing archive. While our facility is modest – we operate from a 1400-square foot office and gallery space in East Vancouver – our reach is expansive.

Our recent and upcoming programming reveals a strong international component, with reciprocal opportunities for Canadian artists. We have in recent years considered how to improve the nature of exchange – beyond the presentation of isolated events or exhibitions abroad. As is more fitting to our mandate and way of working, we have been developing longer term relationships with colleagues internationally, and seek to provide reciprocity – that is, a culture of exchange that acknowledges the importance of opportunities created over time and via embedded networks, and those that disseminate resources both at home and abroad.

About the curatorial position
The Curator works in tandem with the Program Director and alongside grunt staff, contractors and volunteers to support the creative vision of the gallery and its public presentation. As detailed above, we support a wide range of activities, and applicants should have an interdisciplinary knowledge of/ interest in contemporary practice – and an appreciation for works that are produced both in and beyond a gallery context. This could include installation art, public works, digital media, screen-based production, writing/ publishing/ zine production, sound installation, socially-engaged works, podcast production, performance, community and frontline organizing, collective practice and so on.

Interested candidates should note that much of grunt’s programming is submissions-based and determined by committee. This does not preclude a more traditional authorship or singular curatorial voice, but we feel this is an important thing to note – ‘curator’ can mean many different things, and here as elsewhere it’s very influenced by the culture of the organization. At grunt the Curator is a central creative role and while our mandate and work culture is well established, we invite you to bring your own experience fully to the position. This strong sense of agency, in tandem with the collaborative nature of the programming and the expansive range of activities, offers a unique opportunity that emphasizes both collective access to resources and a demonstrated belief in the individual and what they can offer.

The Curator role will focus primarily on the exhibitions program, as well as our new Mount Pleasant Community Art Screen. There will be ample opportunities for creative thinking in both. Required skills and competencies are listed below, and disciplinary knowledge is important, but core to this position will be a passion for working with artists to support their vision. The Curator is at base level a bridge builder – you will act as the translator between the organization and the artist, and you will steward the presentation of the work to the public; your ability to communicate well and build relationships will be key.

As an employer we welcome your voice and your ideas, and we value equally your ability to listen and take time.

Required Competencies:

Collaboration                           Commitment                           Written Communication
Community                              Conceptual Thinking              Negotiation
Creativity                                  Flexibility                                 Mentorship
Reliability                                 Programming                         Grant Applications

General Responsibilities:

  • Working with the grunt Program Director and other grunt staff to determine overall program vision for exhibitions and programs on Mount Pleasant Community Art Screen (MPCAS);
  • Liaising with artists to determine programming and exhibitions within grunt’s exhibition space and beyond the physical facility;
  • Liaising with artists to determine media programming for the MPCAS;
  • Working in tandem with the Program Director to manage and organize the programming committees for exhibitions (annual) and MPCAS (bi-annual);
  • Working with the Program Director, MPCAS Engagement Coordinator and other grunt staff to create and maintain public outreach activities;
  • Writing and editing for publication, press releases, didactic materials, web and online promotion and other venues as necessary;
  • Organizing, hosting and managing events, online presentations, and other public programs;
  • Research and development of projects involving exhibition, artist residencies, community engagement, event and publication components;
  • Outreach, promotions and relationship building for grunt gallery, locally and internationally (via travel, networking and professional development opportunities);
  • Ongoing participation in grunt activities and programs, including committee meetings, curatorial research and development, staff/programming meetings;
  • Grant writing for present and future projects;
  • Evaluation of annual programming in collaboration with grunt staff.

Required Skills and Education:

  • Critically relevant curatorial experience with knowledge of diverse communities;
  • Strong sense of local context, including an investment in creating and maintaining relationship to the region’s host Indigenous nations (beyond acknowledgement);
  • Proven success with visual arts programming and an excellent reputation within the art community, built on previous success and rapport with artists;
  • Post-secondary education in an arts related field (or commensurate work experience);
  • A working intercultural skill-set to effectively work with a diverse group of staff, artists and community members, and a history of engagement with Indigenous, LGBTQIA2S+ and BIPOC communities;
  • Experience with or active interest in anti-oppression frameworks and how they relate to accessibility in the arts;
  • Strong technical awareness with regard to screen-based, online and interactive media;
  • Excellent understanding of artist-run centres;
  • Excellent writing skills;
  • Exceptional communication and coordination skills to ensure knowledge and comprehension of complex project planning;
  • Ability to work collaboratively;
  • Proven ability to write grants;
  • Highly organized, detail oriented and committed to quality;
  • Able to work independently with minimal supervision;
  • Able to work flexible hours.

grunt gallery offers a competitive salary and benefits package, along with a flexible work schedule, opportunities for education and development, and a very comfortable, creative, harmonious and positive work environment. grunt is an equal opportunity employer and welcomes all applicants.

 

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Cool Indians on Main Street

Cool Indians on Main Street
on the Mount Pleasant Community Art Screen

grunt gallery and Cool Indians On Main Street have teamed up on a project for the Mount Pleasant Community Art Screen! Charlene Vickers and Neil Eustache, the co-founders of Cool Indians on Main Street benchin collective have invited Indigenous artists to make an open ended statement about Indigenous presence and benchin. What is benchin one may ask? Benchin is the act of gathering socially to sit on a bench to people watch, share ideas, stories, and just be together. Moving through the uncertain times of a pandemic, benchin is redefined and expressed differently. Benchin happens in individual moments, alone or within one’s  social “bubble.” Benchin is expressed via face-time chats, or by sharing benchin pics on social media, or by a regular phone call.  This summer Charlene Vickers organized a dream team of Cool Indian benchers to create a series of digital media works for the Mount Pleasant Community Art Screen as the next iteration of what “benchin” could become.

Cool Indians Benchin Dream Team:
Lacie Burning
Robert Chaplin
Neil Eustache
Jeneen Frei Njootli
Whess Harman
Maria Hupfield (with collaborators Ester Neff, IV Castellanos)
Janine Island
Jenny Irene Miller
Casey Koyczan
Manuel Axel Strain
The Human Nature Collective (Daina Warren, Kirstin Snowbird, Robert Snowbird, Theo Pelmus, with Kevin McKenzie)
Tania Willard
Charlene Vickers

Images, from top left: Wavers by The Human Nature Collective; Alas and Forsooth by Whess Harman; The Labour of Protecting by Manual Axel Strain; Cool Indians design by Neil Eustache; Prayers by Lucie Burning; We Practice Our Culture Because Our Parents Were Not Allowed To by Casey Koyczan; Swaying Praying by Tania Willard; Canuck the Crow by Robert Chaplin.

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Call for Submissions – Mount Pleasant Community Art Screen

MPCAS CALL for SUBMISSIONS

We accept submissions on an ongoing basis.
To be considered for the Fall/ Winter 2020 program, submissions must be received by July 31st, 2020 at 4pm.
Submissions received after this date will be considered at a later time.

Background:
The MPCAS is a 7×4 metre outdoor community and media arts LED screen, located on unceded Coast Salish territories at Kingsway and Broadway in Mount Pleasant. Broadcasting from 9am to 10pm most days, it is programmed by grunt gallery, an artist-run centre that has been in the neighbourhood since 1984. For more information please visit mpcas.ca

*please note the screen does not have audio capabilities, therefore all submitted content is currently limited to image and captioning only.

PLACE:
The current programming theme of the MPCAS is PLACE, which looks at a changing Mount Pleasant and Vancouver through works by artists, curators, and residents who live here or are connected to the area, exploring its past, current, and future vitality.

Mount Pleasant was one of Vancouver’s earliest neighborhoods, built along a large salmon and trout creek that ran from the swampy higher grounds down to the ocean — the same path as what is now Main Street. The area became a focus of colonial settlement in the mid-19th century and local Indigenous communities were forced out to make way for businesses that grew into a bustling destination neighbourhood. By 1910, business moved west with Shaughnessy becoming the preferred neighbourhood, and Mount Pleasant fell into economic decline for almost 100 years. With working-class roots, abundant rental housing, and transient tenants, it was the poorest neighbourhood outside of the Downtown Eastside. A community of immigrants, urban poor, and artists created the conditions from which much of Vancouver’s early modern cultural life grew.

Beginning in the 1990s, Mount Pleasant’s gentrification started to take hold, initially through the live/work studio condos that gradually began to appear in the area. In 2010, with the development in the Olympic Village area, aggressive upzoning began, and many residents were evicted from their long-held homes as rents doubled and tripled within a few years. Mount Pleasant’s gritty characteristics suddenly became its new selling points. Developer marketing highlighted its arts community and heritage buildings—although ironically both became early targets in the gentrification process. Mount Pleasant quickly transformed from one of Vancouver’s cheapest neighbourhoods to one of its most expensive, ground zero for the increasing unaffordability of the city.

The MPCAS engages with this complex and, at times, tense history of displacement, creativity, expansion and grit.

Participate:
Our vision is to provide an urban screen with content received from and responsive to its viewers, in contrast to the advertising/consumer paradigm that is the rule with most highly visible screens in a public space.

As we build a program that reflects, engages with and enriches the complex cultural history of Vancouver’s Mount Pleasant neighbourhood, our call for submissions welcomes contributions from artists, collectives, curators and other community members, organizations and community festivals. Topics could include (but are not limited to) identity, language, housing, city streets, food, neighbourhoods, landmarks, loss, memories, narratives of the past, and potential futures.

The racialized, immigrant and working class communities that have been the backbone of Mount Pleasant have also been disproportionately impacted by the economic swings and recent gentrification of the area. Without a doubt, the history of this unique neighbourhood is entwined with colonial legacies and systemic inequities, and we invite submissions that explore the idea of place from the angle of disPLACEment, too.

Generally speaking, submitted works should be ten minutes or less in length and could include (but are not limited to) still images, time-based media, animations, performance works, archival video, interactive pieces, GIFs, experimental video, event proposals, and curatorial/screening proposals.

How To Submit Your Work:
Please include the following information in your proposal :

  • Maximum one-page proposal describing your project, and how it relates to PLACE.
  • Supporting Documentation: Video submissions should be sent as a link to a host site (Youtube, Vimeo, etc). You may also send preview files via WeTransfer, Dropbox, or similar services if you prefer, please keep files to a maximum of 500MB.
  • Photography and image based submissions: 10-12 images. Image files should be no more than 1200 pixels wide.
  • Creator CV and a short biography.
  • Artist / Curator Statement (optional).

Please email proposals to submissions[at]grunt[dot]ca by July 31st at 4pm to be considered for Fall/Winter 2020 programming.

MPCAS Content and Technical Guidelines are available as a downloadable PDF

**Due to COVID-19, we will only be accepting digital submissions until further notice.

Become A Part of the MPCAS through our Digital Stories Workshops!
grunt gallery and EastVan Digital Stories join forces with Mount Pleasant and Vancouver residents who wish to create short videos around the theme of PLACE. Artists Lorna Boschman and Sebnem Ozpeta will host a series of free workshops that walk participants through the process of digital story making. Selected videos from the workshops will be shown on the MPCAS. For more information on EastVan Digital Stories please email lorna[at]digitalstories[dot]ca

Details on MPCAS programming and submissions can be found on our website mpcas.ca

Follow @gruntgallery and @MPCAS.Vancouver on Facebook for announcements and registration info for upcoming Fall and Winter workshops.

Image: Tomas Jirku, Unseen Urban Energy, still,  2019.

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Update on submissions process due to COVID-19

The following is an update on grunt gallery’s submissions process this year:

Due to the COVID-19 pandemic and resultant closure of our gallery space we have been forced to reschedule a number of planned exhibitions. The impact on our programming schedule is such that we have made the decision as a staff to suspend our annual Curatorial Committee as we do not feel it makes sense to review and jury work for future exhibitions that we are not able to confirm. The substantial delays forced by the pandemic have made this a necessary decision in order to uphold our values of high quality service to artists and providing them a platform that facilitates actualization in practice.

While we will not be accepting submissions until further notice, we understand and regret the timing of this announcement, especially for those who have already submitted work this year. Out of respect for your labour in putting together a proposal we will hold your material on file until a time when we are able to restore our submissions and jury processes. You are welcome to modify, update, or replace work in your file at any time: the ongoing development of artistic practice has been another key consideration in our decision. We offer our humble apologies for any inconvenience or disruption this may cause you.

Our submissions call for the Mount Pleasant Community Arts Screen, a 4×7 meter outdoor public art display at Kingsway and Broadway, remains open and accepts proposals on an ongoing basis. If this is of interest to you we encourage you to apply — full details can be found here.

If you have any questions please feel free to contact us via submissions[at]grunt[dot]ca. We appreciate your patience and understanding as our programming model navigates a shifting landscape.

Take care,
the grunt gallery team

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Mount Pleasant Community Art Screen

grunt gallery remains closed until further notice due to the COVID-19 pandemic, but the Mount Pleasant Community Art Screen is still glowing bright at Kingsway and Broadway. Through partnerships, commissions, and open calls, there is an exciting and diverse range of new work on the screen exploring our current moment of isolation through moving and still images, texts, poems, drawings and more. Our new programming includes open link in new tab, a showcase of work by ten Indigenous women, Two Spirit, and Indigiqueer artists curated by Jessica Johns; Kevin House’s Isolation Boy project; and submissions from members of the Mount Pleasant community and local elementary school students to our ongoing open calls for creative engagement.

It’s our hope that the MPCAS can continue to connect our community and help us be together while apart in this era of social distancing and self-isolation. You can read more about the MPCAS programming here; and you can see the work in person on the screen on the side of The Independent building on Kingsway.

 

Photo: Bush Business, Jade Baxter.

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grunt gallery COVID-19 Closure

To the grunt community,

In response to the COVID-19 pandemic, grunt gallery will be closed to the public until further notice. All events including SPARK, our artist talks and hosted events will be cancelled until further notice as well.

We urge you to take care of yourselves, your loved ones and your communities, especially those who might not have equal access to resources for physical and mental well-being.

We will continue to support Meagan Musseau’s exhibition pi’tawkewaq / our people up the river online and in print.

Programming will continue via the Mount Pleasant Community Art Screen.

Our staff are continuing to work remotely, and are available on email to answer any questions. Staff contact info can be found here.

Love,
the grunt team

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We’re Hiring an Engagement Coordinator for the Mount Pleasant Community Art Screen

Position: Engagement Coordinator
Project: Mount Pleasant Community Art Screen
Reporting to: Program Director
Hours: $27/ hour, 12 – 14 hours per week. Some evening and weekend work. Flexible schedule.
Start date: TBA

Project Description:

The Mount Pleasant Community Art Screen (MPCAS) is a 7m x 4m outdoor urban screen located at the intersection of Kingsway and Broadway in Vancouver. The screen is maintained and programmed by grunt gallery, and aspires to enrich and engage the public through the presentation of media art that reflects the diversity, historical richness and creative capacity of the Mount Pleasant neighbourhood. Through commissions, exhibitions, co-productions and partnerships, the screen features works for and about Mount Pleasant and the people who live here alongside programming that connects these local issues to global practices, ideas and concerns.

About the Mount Pleasant Community Art Screen and grunt gallery

The Mount Pleasant Community Art Screen is a place for media and interactive content both home-grown and far-flung, presented through the distinctive lens of the neighbourhood. Working with neighborhood producers and filmmakers MPCAS mirrors the community it calls home.

Programming the video screen on the new Independent building at Kingsway and Broadway is an exciting opportunity for grunt. We plan to develop the screen to encourage collaboration and represent the area in ways that showcase the cultural and community organizations in the neighbourhood and support the work they do.

grunt gallery has been a part of the Mount Pleasant community since 1984 and has seen tremendous changes over this period. During the past 36 years the area has gone from one of Vancouver’s poorest neighbourhoods to one of its richest. This transition hasn’t been easy and the social costs of thirty years of gentrification have been intense. The MPCAS has been born of this tension, and we seek to acknowledge both the Mount Pleasant that is fading away and the new communities  coming into being.

General Description of the Position:

The Engagement Coordinator works with staff and community partners to develop contacts, programming and strengthen relationships between the MPCAS and its partners in the community. This is a professional position that reports to the Program Director and associated staff.

The Engagement Coordinator is a planner, implementer, and relationship builder who is responsible for developing this new initiative in conjunction with the multiple and diverse communities in Mount Pleasant. We are looking for a candidate with deep roots in the neighbourhood who has knowledge of the diversity of its residents, businesses, community organizations and art communities..They will work with grunt staff to  develop strategies around programming, commissioning, and interactivity that engages the community and brings their visions to the screen. This is NOT a fundraising position.

The Engagement Coordinator will work within the communities in Mount Pleasant making connections and strengthening bonds between stakeholders and increasing visibility and access. The Engagement Coordinator is expected to work independently, but will play a key role in the MPCAS team, alongside the Program Director, curatorial staff and the technical manager.

Required Competencies:
Collaborative
Reliable
Committed
Independent
Community Minded
Tolerant
Creative
Flexible
Social
Resourceful

General Responsibilities:

  • Work with staff and committees to develop strategies and enhance contacts within the Mount Pleasant community in conjunction with the MPCAS’s vision for programming and the neighbourhood.
  • Design and implement an outreach plan that builds strong, long-term, and loyal relationships with audience members, supporters and communities.
  • Develop programming for the MPCAS engaging the heritage and cultural communities as well as community groups, seniors, youth and more.
  • Continue to develop relationships with partners and collaborators from the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations as well as the wider Indigenous communities of Vancouver.
  • Assist with content creation around community engagement that is aligned with MPCAS’s social media, website and newsletters focusing on their respective membership and activities.
  • Collaborate and communicate with neighbourhood organizations to develop activities that promote the MPCAS’s presence (eg. community events and festivals).
  • Work with grunt staff and established partners to bring local content to international networks.

Required Skills and Education:

  • Awareness of and experience working within the Mount Pleasant neighbourhood.
  • Strong knowledge and commitment to bridge-building within diverse community frameworks.
  • Good understanding of artist-run culture.
  • Post-secondary education or experience in community engagement, public programming, communications, activist organizing or arts-related disciplines is an asset.
  • Some knowledge of media art practices and production requirements.
  • Experience with youth/adult education programming an asset.
  • Ability to perform well in a team environment and collaborate with others.
  • Strong written and oral communication skills; ability to target outreach materials to varying audiences and age groups.
  • Strong organizational skills, able to identify and prioritize tasks with minimal supervision, work independently, and take initiative.
  • Working knowledge of Social Media, e.g. Facebook, Twitter and mass email systems;
  • Resourceful, hands-on and pro-active.
  • Proven ability to act in an assertive but professional manner and to represent oneself and an organization in a positive manner.
  • Ability to work flexible hours.

Business Ethics and the Workplace:

  • Must promote and set the example for ensuring a friendly, courteous, respectful and professional work environment.
  • Must maintain confidentiality of all personal, private, and professional information obtained within the course of employment.
  • Must not accept any gifts, loans or anything of value from any individuals with whom contact is had during the course of employment.

To apply: Please send cover letter and resume to Meagan Kus by email at meagan@grunt.ca

Application Deadline: Friday, April 17th, 2020 @ 5:00pm

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Mount Pleasant Community Art Screen


grunt gallery is proud to announce the launch of the Mount Pleasant Community Art Screen (MPCAS). The MPCAS is a 4×7 metre outdoor urban screen showing art-only content by and for the Mount Pleasant neighbourhood of Vancouver, and officially went live on December 5th, 2019.

The MPCAS reflects its neighbourhood through artwork by local and commissioned artists, with a special focus on works exploring the area’s history, its current vitality and its future. This art-specific urban screen brings new digital technology to Mount Pleasant and the City of Vancouver with an inaugural year of non-commercial programming around the theme of PLACE, presenting a diverse range of visual and media art by over fifty artists, community members, and community festivals reflecting on what it is to live in a changing Mount Pleasant neighbourhood.The MPCAS will feature new commissioned work by Paul Wong, Amanda Strong and Kevin Lee Burton as well as special curated content by Justin Ducharme, Sebnem Ozpeta and Lianne Zannier! The screen will also feature original Digital Stories created by local residents specifically for MPCAS through a series of workshops led by artist Lorna Boschman. With over 6 hours of digital art, photography, video, time-based media, animation, performance, interactive art, GIFs, super 8 film, storytelling and more, our community programming further includes work by: Elizabeth Milton, Emilie Crewe, Margaret Dragu, John Allison, Russell Wallace, Hank Bull, Steven Thomas Davies + Jeanette Kotowich and Cheyenne Rain LeGrande. Learn more about the MPCAS and its inaugural programming here.

The MPCAS is produced by grunt gallery and generously supported by the Vancouver Foundation, RIZE Corporation, Canada Council for the Arts, Creative BC, and the City of Vancouver. The MPCAS is part of the City of Vancouver’s Public Art program.

Location: Intersection of Broadway & Kingsway, Vancouver, on the east side of the Independent Building
Screen Hours: Sunday to Thursday: 9AM to 9:30PM / Friday & Saturday: 9AM to 10:30PM

For more information:  visit mpcas.ca or email communications(at)grunt(dot)ca

Follow the Mount Pleasant Community Art Screen on Facebook and Instagram to stay in the loop!

Image: Amanda Strong, Ghosts, stop-motion animation, 6 minutes, 2018.

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Digital Stories

Recent Fall 2019 Workshops:
Sunday, October 20, 1-5PM
Sunday, October 27, 1-5PM
Sunday, November 17, 1-5PM
Sunday, November 24, 1-5PM

Location: grunt gallery, #116 – 350 East 2 Avenue, Vancouver, BC

This Fall, grunt gallery and EastVan Digital Stories join forces once again with Mount Pleasant and Vancouver residents who wish to create short videos around the theme of PLACE. Artists Lorna Boschman and Sebnem Ozpeta will host a series of five, free, weekly workshops at grunt gallery that walk participants through the process of digital story making!

Through the digital stories group process, you will be able to create and share your own authentic story by combining digital photos and/or video. Selected videos from the workshops will be shown on grunt gallery’s Mount Pleasant Community Art Screen and on digitalstories.ca.

To sign up, please choose one day (from the dates listed above), include one alternative date in case your first choice of the workshop is filled.

Send an email to Lorna Boschman: lorna (at) digitalstories (dot) ca

In the email include your name, email address, phone/text number, and whether you live in Mount Pleasant or Vancouver. Please include one, or two, sentences about why you would like to create a short digital story. Lorna will send you a list of things you must bring to the workshop including several photos (from your phone or camera) and/or video that directly relates to your story’s theme.

Workshops fill up quickly, and a maximum of four people can register per weekly workshop!

Special thanks to the Vancouver Foundation who made this project possible.

Vancouver Foundation is dedicated to creating healthy, vibrant and livable communities across BC. Since 1943, our donors have created 1,800 endowment funds and together we have distributed more than $1 billion to charities. From arts and culture to the environment, health and social development, education, medical research and more, we exist to make meaningful and lasting improvements to communities in BC.

Image credit: Jane Shi, soy chicken qingming, Digital Story, 2019.

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