Friday, November 28th
5pm – 7pm
Location: grunt gallery
116 – 350 E. 2nd Avenue
**Note the new venue!**
This season, Theatre Replacement and The Chop have partnered with Music on Main and grunt gallery to continue our series of candid discussions with artists from here and across Canada. Together we’re investigating some of the issues that come up between us and our various disciplines; what issues can we all talk about? And where are the places that we all get stuck, or revel in, or persist?
This, our second talk of the series, investigates trust as an artistic commodity. As artists experiment with duration, site-specificity, process and participation, ideas of sociability and engagement have become central to many aspects of contemporary practice. Outside the traditional confines of the white cube or the black box, the proscenium stage or the concert hall, these new frameworks depend on connectivity as a component of creative success, and trust– that basic element of human connection– underlies it all.
Four practitioners including visual artist Zoe Kreye, performance maker Caroline Liffmann and theatre artist Andrew Laurenson will talk through some of their current projects and the role that trust plays in the development of their work.
Zoe Kreye creates inter-disciplinary art projects that explore transformation, collective experience and negotiations of public space. Her work looks to engage the public in relations and aesthetics, with the goal of building inclusive, bottom-up associations that have the potential to be small catalysts for change within dominant social systems. Often looking outside the realm of art, her projects take the form of clubs, workshops, rituals, dialogues and journeys. Her focus is to encourage people towards self-reflection and a deeper engagement with themselves and society. Recent projects include Unlearning Walking Club (Unit Pitt, Vancouver), Unlearning Weekenders (<rotor>, Graz, Goethe Satellite), Soft/Union (The Apartment, Vancouver), Eat Talk Connect (City of Richmond) and Überlebenskuns.klub (Haus der Kulturen der Welt, Berlin). She completed a Masters in Public Art at the Bauhaus University Weimar, specializing in community engagement and participatory strategies and co-founded the Process Institute, the Berlin-based artist collective. She currently lives in Vancouver and teaches Social Practice at Emily Carr University.
Andrew Laurenson is Artistic Producer of Vancouver’s Radix Theatre, an inter-disciplinary collective that creates socially-relevant performance work. A former small-town radio announcer, Andrew also dabbles in acting, writing and video production. Recent projects include TBD, a three-week long immersive theatre experience based on The Tibetan Book of the Dead.
Caroline Liffmann is a Vancouver-based contemporary performance maker, choreographer and improviser who collaborates on short works for the stage, the screen, and all manner of public places. Her practice is influenced by over 20 years of dance and movement training, most notably in contemporary dance technique, improvisation, physical theatre, and multi-disciplinary collaboration, and she holds an undergraduate degree in Philosophy from McMaster University. Caroline graduated from Vancouver’s MainDance in 2003, and was honourably mentioned for the Holy Body Tattoo BC Emerging Dance Artist Award in 2004 & 2005. Her dance theatre work has been presented at BC festivals and series such as Dancing on the Edge, the ROMP! Festival of Independent Dance, with Light Box at Dances for a Small Stage, and with Nervous System System at the PuSh International Performing Arts Festival’s Club PuSh. In 2013 Caroline was an Artist in Residence with the Roundhouse Community Dancers, and at the Scotiabank Dance Centre with Light Box. She is currently facilitating, teaching and creating community-based dance projects and performances with MovEnt, Joe Ink, and Made in BC – Dance on Tour, as well as working with children, youth and families at the Vancouver Art Gallery.
SAVE THE DATE!
Music on Main hosts Friday, February 13