Limeflower Heterodoxy by Sharona Franklin: June 9 — July 3, 2020

Limeflower Heterodoxy
Sharona Franklin
June 9 — July 3, 2020
Window viewing hours at grunt gallery: Tuesday – Saturday 12pm – 5pm

Limeflower Heterodoxy is a new exhibition by artist Sharona Franklin featuring the slow decomposition of one of her signature gelatin sculptures. With this work, Franklin takes the viewer into an exploration of healing methodologies, contrasting the different approaches of psychedelic and plant based medicine intertwined within the pharmaco-industrial complex. The installation centers the experiences of childhood rural illness, contrasted with the alien and often dehumanizing experiences of cytotoxic and pharmaceutical systems. Referred to by the artist as bioshrines, the sculptures embody tensions and contradictions held for those whose treatments include both natural medicine and—sometimes ethically controversial—biopharmaceutical care.

Decomposition is an integral part of Franklin’s process, as she invites visitors to come back and revisit her sculptures over the course of an exhibition, witnessing their transformation in space, as time and organic matter collide. For the first time, a livestream video will grant the viewer real time access to the transformation at any moment of the day or night. The artist will also record the decomposition of her work, creating two time lapse videos over the period of a month.

The livestream and videos are available through Printed Matter, more information can be found here. The work comes at three different tiers: an unlimited livestream access, a 30min time lapse video filmed on Hi8, and a high resolution 60min video with textile edition. 100% of the profits of Limeflower Heterodoxy II, a Hi8 timelapse video, will be donated to COVID Bail Out NYC.

This installation is organized by Printed Matter (NYC), hosted at grunt gallery and produced with the support of VIVO Media Arts Centre.

Downloadable PDFs:
Limeflower Heterodoxy Recipe
Let’s Talk About Disability

Sharona Franklin b. 1987 is a Canadian multidisciplinary artist, writer and advocate.

Her work explores radical therapies, cybernetic craft, ecological systems, bio-ritualism, pharmacological and social inter-dependency disseminating mythologies of class and biocitizenship within disability.  Franklin’s visual media practice can be viewed through social media platforms @paid.technologies, @star_seeded and @hot.crip. Through ontological study and utilizing natural, salvaged, biodegradable, edible, print media and digital mediums, her psychedelic works invite the viewer into facets of biopharmaceutical investigations and educational community practice.

Recent exhibitions include Kings Leap, NYC, Unit 17, Vancouver, Canada, G44 Center for Contemporary Photography, Toronto, Canada, New Image Art Gallery Los Angeles, CA, and Flux Factory, New York, NY. Recent publications include Injustice in Biopharm, 2019, Cassandra Press and Rental Bod, 2016, Peace Library Publications.

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grunt gallery Founder Glenn Alteen Retires as of May 29th, 2020

As of  Friday May 29th 2020, grunt gallery’s founder Glenn Alteen, who served as the gallery’s Program Director for 37 years, has retired. The staff and board of grunt are incredibly grateful for the energy, ingenuity and spirit Alteen has given grunt since the very beginning; he has fostered an extraordinary community of artists, curators, and cultural workers that extends from Vancouver’s Mount Pleasant neighbourhood across Canada and internationally.

Since grunt’s inception in 1984, Alteen has recognized the value in platforming diverse voices and supporting artists through their creative processes, and has been committed to providing resources for artists to exhibit work that might otherwise go unrecognized. His boundless generosity and bold approach has been instrumental in building the vitality of the gallery and relationships with many exceptional artists and curators, including Rebecca Belmore, Dana Claxton, Margaret Dragu, Aiyyana Maracle, Naufus Ramírez-Figueroa, Carole Itter, Adrian Stimson, Tania Willard, and Tarah Hogue. Throughout his career, Alteen has pushed boundaries with projects such as Queer City (1993), An Indian Act: Shooting the Indian Act (1997) by Lawrence Paul Yuxweluptun, and the co-founding of LIVE Biennial of Performance Art in 1999. Showing no signs of slowing down, in 2019 Alteen and grunt launched three of their most ambitious projects to date: Wordless: The Performance Art of Rebecca Belmore, the Blue Cabin Floating Artist Residency, and the Mount Pleasant Community Art Screen.

His connections to artists is truly unique, and his commitment to long-term creative relationships has built a community around grunt that spans generations, cultural communities and disciplinary boundaries. Dana Claxton recalls:

“I think I first met Glenn at the Pitt Gallery on Water Street in the late 1980s. Early on in the realm of programming NDN’ art work, he was committed, supportive, made enormous space and provided guidance in a way, he may not even be aware of the guidance he gave. Our early morning talks for many years, as he would dream up projects…he makes ideas become concrete. And it was never about him, but always what can happen for other people.”

Alteen has championed intuitive, organic and artist-driven creation, while simultaneously ensuring the continued growth and stability of grunt itself. By developing grunt’s programming archive, securing a permanent space for the gallery and the creation of an endowment fund, Alteen has cemented the longevity of grunt and contributed to the sustainability of artist-driven culture in Vancouver. He was awarded the Governor General’s Award in Visual and Media Arts in 2018 for his decades of exceptional contributions to the arts in Canada. Glenn Alteen has been a visionary for grunt gallery and Vancouver’s visual arts communities, and has left an enduring mark on the ways we work through, with and around art.

His unique perspective will carry forward into grunt’s future, and will continue to shape the organization. Incoming Program Director Vanessa Kwan, who has shared the role with him since last June, says:

“In so many ways, Glenn embodies what we hope for in a more compassionate art community. His leadership has taught so many of us about the importance of both resistance and care. His work proposes something no less than a revolution in how we understand a successful (dare I say legendary?) career in the arts: that ambition can be expressed as generosity, and that capital–cultural, financial and otherwise–is best shared widely rather than being kept to oneself.”

As grunt honours Alteen’s remarkable career and contributions to the art community, we are also proud to announce the re-naming of our endowment to the Glenn Alteen Legacy Fund, and we invite you to contribute to the future of the organization, and the furthering of its unique vision. More information can be found here.

Thank you so much, Glenn, for your audacity, persistence, disgruntlement and care.

 

Photo: Portrait of Glenn Alteen by Henri Robideau, Jaunary 1987.

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Update on submissions process due to COVID-19

The following is an update on grunt gallery’s submissions process this year:

Due to the COVID-19 pandemic and resultant closure of our gallery space we have been forced to reschedule a number of planned exhibitions. The impact on our programming schedule is such that we have made the decision as a staff to suspend our annual Curatorial Committee as we do not feel it makes sense to review and jury work for future exhibitions that we are not able to confirm. The substantial delays forced by the pandemic have made this a necessary decision in order to uphold our values of high quality service to artists and providing them a platform that facilitates actualization in practice.

While we will not be accepting submissions until further notice, we understand and regret the timing of this announcement, especially for those who have already submitted work this year. Out of respect for your labour in putting together a proposal we will hold your material on file until a time when we are able to restore our submissions and jury processes. You are welcome to modify, update, or replace work in your file at any time: the ongoing development of artistic practice has been another key consideration in our decision. We offer our humble apologies for any inconvenience or disruption this may cause you.

Our submissions call for the Mount Pleasant Community Arts Screen, a 4×7 meter outdoor public art display at Kingsway and Broadway, remains open and accepts proposals on an ongoing basis. If this is of interest to you we encourage you to apply — full details can be found here.

If you have any questions please feel free to contact us via submissions[at]grunt[dot]ca. We appreciate your patience and understanding as our programming model navigates a shifting landscape.

Take care,
the grunt gallery team

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grunt gallery COVID-19 Closure

To the grunt community,

In response to the COVID-19 pandemic, grunt gallery will be closed to the public until further notice. All events including SPARK, our artist talks and hosted events will be cancelled until further notice as well.

We urge you to take care of yourselves, your loved ones and your communities, especially those who might not have equal access to resources for physical and mental well-being.

We will continue to support Meagan Musseau’s exhibition pi’tawkewaq / our people up the river online and in print.

Programming will continue via the Mount Pleasant Community Art Screen.

Our staff are continuing to work remotely, and are available on email to answer any questions. Staff contact info can be found here.

Love,
the grunt team

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We’re Hiring an Engagement Coordinator for the Mount Pleasant Community Art Screen

Position: Engagement Coordinator
Project: Mount Pleasant Community Art Screen
Reporting to: Program Director
Hours: $27/ hour, 12 – 14 hours per week. Some evening and weekend work. Flexible schedule.
Start date: TBA

Project Description:

The Mount Pleasant Community Art Screen (MPCAS) is a 7m x 4m outdoor urban screen located at the intersection of Kingsway and Broadway in Vancouver. The screen is maintained and programmed by grunt gallery, and aspires to enrich and engage the public through the presentation of media art that reflects the diversity, historical richness and creative capacity of the Mount Pleasant neighbourhood. Through commissions, exhibitions, co-productions and partnerships, the screen features works for and about Mount Pleasant and the people who live here alongside programming that connects these local issues to global practices, ideas and concerns.

About the Mount Pleasant Community Art Screen and grunt gallery

The Mount Pleasant Community Art Screen is a place for media and interactive content both home-grown and far-flung, presented through the distinctive lens of the neighbourhood. Working with neighborhood producers and filmmakers MPCAS mirrors the community it calls home.

Programming the video screen on the new Independent building at Kingsway and Broadway is an exciting opportunity for grunt. We plan to develop the screen to encourage collaboration and represent the area in ways that showcase the cultural and community organizations in the neighbourhood and support the work they do.

grunt gallery has been a part of the Mount Pleasant community since 1984 and has seen tremendous changes over this period. During the past 36 years the area has gone from one of Vancouver’s poorest neighbourhoods to one of its richest. This transition hasn’t been easy and the social costs of thirty years of gentrification have been intense. The MPCAS has been born of this tension, and we seek to acknowledge both the Mount Pleasant that is fading away and the new communities  coming into being.

General Description of the Position:

The Engagement Coordinator works with staff and community partners to develop contacts, programming and strengthen relationships between the MPCAS and its partners in the community. This is a professional position that reports to the Program Director and associated staff.

The Engagement Coordinator is a planner, implementer, and relationship builder who is responsible for developing this new initiative in conjunction with the multiple and diverse communities in Mount Pleasant. We are looking for a candidate with deep roots in the neighbourhood who has knowledge of the diversity of its residents, businesses, community organizations and art communities..They will work with grunt staff to  develop strategies around programming, commissioning, and interactivity that engages the community and brings their visions to the screen. This is NOT a fundraising position.

The Engagement Coordinator will work within the communities in Mount Pleasant making connections and strengthening bonds between stakeholders and increasing visibility and access. The Engagement Coordinator is expected to work independently, but will play a key role in the MPCAS team, alongside the Program Director, curatorial staff and the technical manager.

Required Competencies:
Collaborative
Reliable
Committed
Independent
Community Minded
Tolerant
Creative
Flexible
Social
Resourceful

General Responsibilities:

  • Work with staff and committees to develop strategies and enhance contacts within the Mount Pleasant community in conjunction with the MPCAS’s vision for programming and the neighbourhood.
  • Design and implement an outreach plan that builds strong, long-term, and loyal relationships with audience members, supporters and communities.
  • Develop programming for the MPCAS engaging the heritage and cultural communities as well as community groups, seniors, youth and more.
  • Continue to develop relationships with partners and collaborators from the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations as well as the wider Indigenous communities of Vancouver.
  • Assist with content creation around community engagement that is aligned with MPCAS’s social media, website and newsletters focusing on their respective membership and activities.
  • Collaborate and communicate with neighbourhood organizations to develop activities that promote the MPCAS’s presence (eg. community events and festivals).
  • Work with grunt staff and established partners to bring local content to international networks.

Required Skills and Education:

  • Awareness of and experience working within the Mount Pleasant neighbourhood.
  • Strong knowledge and commitment to bridge-building within diverse community frameworks.
  • Good understanding of artist-run culture.
  • Post-secondary education or experience in community engagement, public programming, communications, activist organizing or arts-related disciplines is an asset.
  • Some knowledge of media art practices and production requirements.
  • Experience with youth/adult education programming an asset.
  • Ability to perform well in a team environment and collaborate with others.
  • Strong written and oral communication skills; ability to target outreach materials to varying audiences and age groups.
  • Strong organizational skills, able to identify and prioritize tasks with minimal supervision, work independently, and take initiative.
  • Working knowledge of Social Media, e.g. Facebook, Twitter and mass email systems;
  • Resourceful, hands-on and pro-active.
  • Proven ability to act in an assertive but professional manner and to represent oneself and an organization in a positive manner.
  • Ability to work flexible hours.

Business Ethics and the Workplace:

  • Must promote and set the example for ensuring a friendly, courteous, respectful and professional work environment.
  • Must maintain confidentiality of all personal, private, and professional information obtained within the course of employment.
  • Must not accept any gifts, loans or anything of value from any individuals with whom contact is had during the course of employment.

To apply: Please send cover letter and resume to Meagan Kus by email at meagan@grunt.ca

Application Deadline: Friday, April 17th, 2020 @ 5:00pm

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Merle Addison

Artist Merle Addison has been showing his own work and documenting the work of others since the early days of grunt. His sharp eye and gentle presence have witnessed some amazing moments of performance art in Vancouver over the last three decades and we can’t overstate the value of his contributions to the grunt archive. We have prepared an introduction to Addison’s practice as a research resource and tribute to his work. Thanks Merle! For research inquiries or more info about grunt’s archives please contact Dan Pon, Archives Manager, dan[at]grunt.ca

Merle Addison first came to grunt in 1985, soon after we started. He worked as a member of the volunteer collective that ran grunt at the time. He worked in administration and communication in the late 1980s. His greatest contribution was his documentation of our performance program from 1990 to 2010. From 1990 – 2005, using black and white photography, Addison would create amazing documentation in difficult settings in low light creating an amazing archive of Vancouver Performance over the period. During the LIVE Performance Biennials from 1999 – 2005 Addison documented over 150 performances.
— Glenn Alteen, grunt gallery Program Director 1984-2020

Merle Addison is a graduate of the Experimental Arts Department of the Ontario College of Art. He received his official artistic license there but has been scribbling and making things as long as he can remember. Back then he thought the best job to have would be a TV news announcer. They worked 15 minutes a day and got to keep the pencils and paper. He started working with grunt in 1988 and has been doing so ever since.

He is best known for his photographic documentation of performance art but his personal work utilizes any medium that you can use to make a scribble, from photo processes to soapstone on fine sandpaper to his favourite, a pencil on paper.

His performance art photos were taken in the kind of small spaces where the intimacy of the space allowed a close up of the artist’s piece. His drawings and abstract photo pieces are more of his own journey, that personal experience that defines us.

Merle Addison Artwork & Performance Documentation.

Image: Merle Addison, Quiddity, February 22, 2003.

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Wordless: The Performance Art of Rebecca Belmore

Wordless: The Performance Art of Rebecca Belmore

 

grunt gallery is proud to present the legacy publication Wordless: The Performance Art of Rebecca Belmore, focusing on her remarkable performance career. Wordless features full-colour photos and stills, including the new photo series nindinawemaganidog (all of my relations) and essays by Richard William Hill, Curtis Collins, Kathleen Ritter, Wanda Nanibush, Jessica Jacobson-Konefall, Glenn Alteen, Jen Budney, Dan Pon and Florene Belmore. Edited by Florene Belmore.

As a part of this project, grunt gallery commissioned a series of five new photographs based on five of Belmore’s previous performances. The new series, nindinawemaganidog (all of my relations), includes, witness, matriarch, mother, madonna and keeper.

Wordless is available for purchase via the grunt gallery online bookstore.

A member of the Lac Seul First Nation (Anishinaabe), Rebecca Belmore is an internationally recognized multidisciplinary artist.

Rooted in the political and social realities of Indigenous communities, Belmore’s works make evocative connections between bodies, land and language. Solo exhibitions include: Facing the Monumental, Art Gallery of Ontario (2018); Rebecca Belmore: Kwe, Justina M.Barnicke Gallery (2014); The Named and The Unnamed, Morris and Helen Belkin Art Gallery, (2002). In 1991, Ayumee-aawach Oomama-mowan: Speaking to Their Mother was created at the Banff Centre for the Arts with a national tour in 1992 and subsequent gatherings took place across the Canada in 1996, 2008, and 2014.

In 2017, Belmore participated in documenta 14 with Biinjiya’iing Onji (From Inside) in Athens, Greece and Kassel, Germany. In 2005, at the Venice Biennale, she exhibited Fountain in the Canadian Pavilion. Other group exhibitions include: Landmarks2017 / Reperes2017, Partners in Art (2017); Land Spirit Power, National Gallery of Canada (1992); and the IV Bienal de la Habana (1991).

Belmore received the Jack and Doris Shadbolt Foundation’s VIVA Award (2004), the Hnatyshyn Visual Arts Award (2009), the Governor General’s Award in Visual and Media Arts (2013), and the Gershon Iskowitz Prize (2016). She received honourary doctorates from OCAD University (2005) and Emily Carr University of Art + Design (2018).

Presented by grunt gallery and the Audain Art Museum. Published by Information Office. Wordless was funded through Canada Council for the Arts 150 Program, New Chapter and the Audain Art Museum. Wordless is one of the 200 exceptional projects funded through the Canada Council for the Art’s New Chapter initiative.

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Mount Pleasant Community Art Screen


grunt gallery is proud to announce the launch of the Mount Pleasant Community Art Screen (MPCAS). The MPCAS is a 4×7 metre outdoor urban screen showing art-only content by and for the Mount Pleasant neighbourhood of Vancouver, and officially went live on December 5th, 2019.

The MPCAS reflects its neighbourhood through artwork by local and commissioned artists, with a special focus on works exploring the area’s history, its current vitality and its future. This art-specific urban screen brings new digital technology to Mount Pleasant and the City of Vancouver with an inaugural year of non-commercial programming around the theme of PLACE, presenting a diverse range of visual and media art by over fifty artists, community members, and community festivals reflecting on what it is to live in a changing Mount Pleasant neighbourhood.The MPCAS will feature new commissioned work by Paul Wong, Amanda Strong and Kevin Lee Burton as well as special curated content by Justin Ducharme, Sebnem Ozpeta and Lianne Zannier! The screen will also feature original Digital Stories created by local residents specifically for MPCAS through a series of workshops led by artist Lorna Boschman. With over 6 hours of digital art, photography, video, time-based media, animation, performance, interactive art, GIFs, super 8 film, storytelling and more, our community programming further includes work by: Elizabeth Milton, Emilie Crewe, Margaret Dragu, John Allison, Russell Wallace, Hank Bull, Steven Thomas Davies + Jeanette Kotowich and Cheyenne Rain LeGrande. Learn more about the MPCAS and its inaugural programming here.

The MPCAS is produced by grunt gallery and generously supported by the Vancouver Foundation, RIZE Corporation, Canada Council for the Arts, Creative BC, and the City of Vancouver. The MPCAS is part of the City of Vancouver’s Public Art program.

Location: Intersection of Broadway & Kingsway, Vancouver, on the east side of the Independent Building
Screen Hours: Sunday to Thursday: 9AM to 9:30PM / Friday & Saturday: 9AM to 10:30PM

For more information:  visit mpcas.ca or email communications(at)grunt(dot)ca

Follow the Mount Pleasant Community Art Screen on Facebook, Instagram, and Twitter to stay in the loop!

Image: Amanda Strong, Ghosts, stop-motion animation, 6 minutes, 2018.

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Job Posting: Engagement Coordinator – The Blue Cabin

Job Description

Position: Engagement Coordinator
Project: Blue Cabin Floating Artist Residency
Location: Throughout the Lower Mainland
Reporting to: Blue Cabin Committee

Hours: $25-$27/hour, 18 hours per week. Some evening and weekend work. Flexible schedule.

Start date: July 29, 2019
Application Deadline: Thursday, June 27, 2019 @ 5:00pm

Project Description:
The Blue Cabin Floating Artist Residency (BCFAR) is a collaboration between grunt gallery Other Sights for Artists’ Projects and Creative Cultural Collaborations. The collaborating organizations have formed the Blue Cabin Committee to oversee the ongoing management of the BCFAR.

About the Blue Cabin:
The BCFAR provides artists with a unique opportunity to work in a completely restored and outfitted heritage cabin/studio with deep historical roots in both the foreshore past of North Vancouver on the West Coast of British Columbia and the early years of Vancouver’s contemporary art scene. Situated on a floating platform and anchored in a marine environment, the residency features a state of the art, self-sustaining “deck house” as accommodation. Responding to the unique environment, landscape and heritage of the region, the BCFAR will be a central feature of the selected artists’ experience. This is an artist–centred residency space that welcomes local, regional and national participants as well as international guests.

The BCFAR is open to artists in all disciplines and supports the creative development of all kinds, for artists at all stages of their careers. It is intended to support artists who wish to undertake research, reflection, contemplation, production or presentation activities. Artists are asked to propose a program of public engagement as the only outcome required of the residency.

General Description of the Position:
The Engagement Coordinator works with staff, contractors, volunteers, and membership to develop contacts, programming and strengthen relationships between the Blue Cabin Floating Artist Residency (BCFAR) and its partners in the community. This is a professional position that reports to the Blue Cabin Committee and associated staff.

The Engagement Coordinator is a planner, implementer, and relationship builder who is responsible for developing this new initiative in conjunction with multiple and diverse communities across the Lower Mainland. They are also responsible for developing strategies around programming, retention and recognition of audience members, volunteers and other communities, as well as strategies for outreach. This is NOT a fundraising focused position.

The Engagement Coordinator will work within the communities the facility inhabits making connections and strengthening bonds between stakeholders and increasing visibility and access. A major focus will be on the heritage and cultural communities, and the position will require the incumbent to familiarize themselves with the many different heritage stakeholders in Vancouver and on the North Shore including community groups, non-profits, government departments, universities and museums and archives. The Engagement Coordinator will work with these groups to develop programming for the BCFAR in the form of lectures, panels, open houses, exhibits and discussions around the Blue Cabin that are part of the project’s broader curatorial activities.

The Engagement Coordinator will work with the Blue Cabin Curatorial Committee to maintain relationships within the three Indigenous host nations; as the BCFAR will move throughout waterways in the region, we are committed to strong relationships with Musqueam, Squamish and Tsleil-Waututh (MST). The incumbent will play a fundamental role in continuing our conversations with the MST, and continuing to build strong relationships and opportunities for collaboration. The Engagement Coordinator will maintain relationships within the infrastructure of the cities of Vancouver, North Vancouver and the District of North Vancouver, including targeted relationships with stakeholders at Northeast False Creek, the North Shore and Port Metro.

The Engagement Coordinator is expected to work independently while maintaining a strong connection to the overall project and curatorial planning.

Required Competencies:
Collaborative Reliable
Committed Independent
Community Minded Tolerant
Creative Flexible
Social Resourceful

General Responsibilities:
● Work with staff and committees to develop and enhance contacts within the identified communities.
● Develop strategies for outreach and active community development.
● Produce and develop programming at the BCFAR engaging the Heritage and cultural communities
● Design and implement a community plan that builds strong, long-term, and loyal relationships with audience members, supporters and communities.
● Forge relationships within the heritage and cultural communities across the Lower Mainland, and explore opportunities for co-programming, cross-promotion and outreach.
● Continue to develop relationships with Indigenous partners and collaborators from the host nations (Musqueam, Squamish and Tsleil-Waututh) as well as the wider indigenous communities of Vancouver.
● Explore engagement opportunities from other communities as necessary, and in conjunction with the Blue Cabin Committee’s vision for programming and the residency.
● Produce a news feed around community engagement that is aligned with BCFAR’s social media, website and newsletters focusing on their respective membership and community activities.
● Collaborate and communicate with neighborhood organizations to develop activities that promote the BCFAR’s role in the community (eg. community events and festivals).

Required Skills and Education:
● Superior networking skills for arts and cultural-based environments.
● Strong knowledge and commitment to bridge-building within diverse community frameworks.
● Good understanding of artist-run culture.
● Post-secondary education in an arts related program, educational program or a relevant discipline is an asset.
● Previous experience (work or volunteer) in an arts organization, community centre, educational centre or activist organizing is an asset.
● Demonstrated supervisory and interpersonal skills; ability to perform well in a team environment and collaborate with others.
● Strong written and oral communication skills; ability to target events outreach materials to varying audiences and age groups.
● Strong organizational skills, able to identify and prioritize tasks with minimal supervision, work independently, and take initiative.
● Experience with youth/adult education programming an asset.
● Working knowledge of Social Media, e.g. Facebook, Twitter and mass email systems;
● Resourceful, hands-on and pro-active.
● Previous experience in developing and maintaining strong internal and external relationships.
● Demonstrated success with strategy development, implementation and evaluation.
● Proven ability to act in an assertive but professional manner and to represent oneself and an organization in a positive manner.
● Ability to work flexible hours.
● Ability to travel throughout the Lower Mainland.

Business Ethics and the Workplace:
• Must promote and set the example for ensuring a friendly, courteous, respectful and professional work environment.
• Must maintain the confidentiality of all personal, private, and professional information obtained within the course of employment.
• Must not accept any gifts, loans or anything of value from any individuals with whom contact is had during the course of employment.

To apply: Please send cover letter and resume to Sunshine Frere by email < sunshine (at) othersights (dot) ca >

Application Deadline: Thursday, June 27, 2019 @ 5:00pm

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Job Description: Residency Coordinator – The Blue Cabin

Job Description:

Position: Residency Coordinator (contract position)
Project: Blue Cabin Floating Artist Residency
Reporting to: Operations Director (grunt gallery) and General Manager (Other Sights for Artists’ Projects)

Hours: $27/hr 18 hours per week. Some evening and weekend work. Flexible schedule.

Start date: July 2, 2019
Application Deadline: Thursday, June 13, 2019 @ 5:00pm

Project Description:
The Blue Cabin Floating Artist Residency (BCFAR) is a collaboration between grunt gallery Other Sights for Artists’ Projects and Creative Cultural Collaborations. The collaborating organizations have formed the Blue Cabin Committee to oversee the ongoing management of the BCFAR.

About the Blue Cabin:
The BCFAR provides artists with a unique opportunity to live and work in a completely restored and outfitted heritage cabin/studio with deep historical roots in both the foreshore past of North Vancouver on the West Coast of British Columbia and the early years of Vancouver’s contemporary art scene. Situated on a floating platform and anchored in a marine environment, the residency features a state of the art, self-sustaining “tiny house” as accommodation. Responding to the unique environment, landscape and heritage of the region, the BCFAR will be a central feature of the selected artists’ experience. This is an artist–centred residency space that welcomes local, regional and national participants as well as international guests.

The BCFAR is open to artists in all disciplines and supports the creative development of all kinds, for artists at all stages of their careers. It is intended to support artists who wish to undertake research, reflection, contemplation, production or presentation activities. Artists are asked to propose a program of public engagement as the only outcome required of the residency.

General Description of the Position:
The Residency Coordinator is charged with the administration, management and maintenance of the BCFAR as well as working with a variety of individuals and groups to coordinate and schedule all programming and artist in residence stays.

The Residency Coordinator organizes all aspects related to the residency, including support of the artist application process, support of the artist in residence, and ensures that the facility is safe and well maintained and that the ongoing maintenance plan is implemented.

The Residency Coordinator is responsible for the day to day operations of the BCFAR and the management of associated special projects. The Residency Coordinator reports directly to the Operations Director at grunt gallery and the General Manager at Other Sights for Artists’ Projects.

Required Competencies:
Project Management Communication
Time Management Collaborative
Committed Community Minded
Creative Flexible
Social Reliable
Independent Tolerant
Resourceful

General Responsibilities:
• Develop and maintain the day to day administration of the BCFAR.
• Help maintain the BCFAR’s public presence through the Blue Cabin website, social media channels, e-newsletters, and in print, in conjunction with other communications’ staff.
• Organize and lead the artist application process, assist the Blue Cabin Committee with artist selection, and coordinate all aspects of the residency including resource documents, contracts, communication with artists, fees, programming events, etc.
• Provide logistical and technical support to artists in residence.
• Organize field trips, studio visits, public presentations and other research and engagement activities.
• Develop a maintenance plan around the cabin facility for maintenance, janitorial and facility upkeep.
• Oversee the work of contractors implementing the maintenance plan.
• Oversee the residency budget, in conjunction with other staff and contractors.
• Provide budgets and expense reports to the Blue Cabin Committee at regular intervals.

Required Skills and Education:
• Strong familiarity with arts administration.
• Good understanding of artist-run culture.
• Preferably, post-secondary education in an arts-related program or a project management program.
• Previous experience (work or volunteer) with an artist residency programme an asset.
• Demonstrated supervisory and interpersonal skills; ability to perform well in a team environment and to collaborate with others.
• Strong written and oral communication skills.
• Strong organizational skills, ability to identify and prioritize tasks with minimal supervision, work independently, and take initiative.
• Experience with youth/adult education programming an asset.
• Strong knowledge and commitment to bridge-building within diverse community frameworks.
• Working knowledge of social media, e.g. Facebook, Twitter and mass email systems.
• Resourceful, hands-on and pro-active.
• Proven ability to act in an assertive but professional manner and to represent oneself and an organization in a positive manner.
• Ability to work at and travel to multiple sites throughout the Lower Mainland.
• Ability to work flexible hours.

Business Ethics and the Workplace:
• Must promote and set the example for ensuring a friendly, courteous, respectful and professional work environment.
• Must maintain the confidentiality of all personal, private, and professional information obtained within the course of employment.
• Must not accept any gifts, loans or anything of value from any individuals with whom contact is had during the course of employment.

To apply: Please send cover letter and resume to Meagan Kus by email < meagan(at)grunt.ca >

Application Deadline: Thursday, June 13, 2019 @ 5:00pm

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