These Ones (formerly Together Apart) is a loosely formed collective of 2S/Indigiqueer artists, writers and performers that followed out of the Spring 2019 Together Apart, Queer Indigeneities 2S/Indigiqueer Symposium, inspired by the Two-Spirit Cabarets held at grunt during the early 90s. With a flexible format of membership, These Ones uses itself as a mobilizing point to pool skills and resources that can be adaptive to ideas, projects and partnerships as they come. By operating through grunt gallery with Curator Whess Harman (Carrier Wit’at), the collective is able to anchor itself and its projects within a stable and intuitive organizing body while retaining agency over programming decisions and outcomes. The project reflects the widely interdisciplinary nature that inherently follows organizing around the identities that fall within the cross-section of both queer and Indigenous. Since the start of the COVID-19 pandemic, the moniker of “Together Apart” has taken on a very different meaning and indeed has been taken up by other groups and projects. With that, our Together Apart collective will now go forward as “These Ones.” “These Ones” is a phrase often affectionately used in Indigenous communities to refer to groups of usually-but-not-always young folks who are very close with one another and tend to move as a unit.

Projects for These Ones are both on-going and forth-coming, and open to 2S/Indigiqueer community members for assistance in the conception and organization of  projects. Following the original symposium event, the Together Apart Zine, initially a publication made to go alongside the event, has extended now into a nine issue run gathering work from artists and writers from across Turtle Island. Adapted into a two-term peer mentorship model, the Together Apart Zine has been edited both by writer Brandi Bird (Cree, Saulteaux and Metis) and following with Kaya Joan (Jamaican/ Vincentian, Kanien’kehá:ka). Through the course of the nine issues, over 30 queer, Indigenous and Afro-Indigenous creators have contributed to either the zine or its accompanying launch events and partnerships.

Going forward, Together Apart is seeking avenues of digital projects both in response to the COVID-19 pandemic, but also in efforts to be accessible to queer Indigenous folks beyond urban spaces. These projects are grounded in an ethos of for us/by us as a way of better expressing queer Indigenous identities in all its multiplicity while prioritizing solidifying platforms in which queer and Indigenous creators have opportunities to build their practices with and alongside one another.

Images: Untitled by Kaya Joan; Issue 5 cover by Lacie Burning; Issue 4 interior art by Jaime Blankinship.

Together Apart has been envisioned as a way of making and holding space for 2SQ/Indigiqueer folks to come together and to be in dialogue with one another so that we might centre the conversations we’d like to hear or that we feel have been absent in our communities. However, our intentions are also simple: to celebrate and enjoy one another’s creativity and dedication to our practices, and to recognize one another in such a way that speaks across the distances we experience in our living and movement through our worlds.

Together Apart will be held in a series of both public and 2SQ/Indigiqueer events only, as outlined in our schedule. Please follow us on the Facebook page and on Instagram for updaes.

Schedule

FRIDAY, APRIL 19

Event: 2SQ/Indigiqueer Nature Walk w. Cease Wyss

Time: 11:00 – 12:00PM
Location: Native Education Centre, 237 E 5th Ave, Vancouver
*Closed to 2SQ/Indigiqueer participants only
Participants will join together with Cease Wyss to open our event by spending some time on the land together; though many of us are navigating urbanized living, the urban landscape still lays atop lands that deserve attention, acknowledgement and respect. Cease will lead participants through spaces where the land is more evident and discuss some of her on-going community projects.

Event: Keynote Address by Lindsay Nixon (followed by Poetry Readings)

Time: 7:00 – 8:00
 PM
Location: grunt gallery
*Free and open to the public
Our keynote address will be presented by Lindsay Nixon, a Cree-Métis-Saulteaux curator, award-nominated editor, award-nominated writer and McGill Art History PhD student studying Indigenous (new) feminist artists and methodologies in contemporary art. They currently hold the position of Editor-at-Large for Canadian Art. Nixon has previously edited mâmawi­-âcimowak, an independent art, art criticism and literature journal. Their writing has appeared in The Walrus, Malahat Review, Room, GUTS, Mice, esse, The Inuit Art Quarterly, Teen Vogue and other publications. nîtisânak, Nixon’s memoir and first published book, is out now through Metonymy Press.
Born and raised in the prairies, they currently live in Tio’tia:ke/Mooniyaang—unceded Haudenosaunee and Anishinabe territories (Montreal, QC).

Stay for our Poetry Reading event with fabian romero, Demian DinéYazhi’ and Storme Webber following directly after the keynote after a short break.

Event: Poetry Readings 

Poetry Readings with fabian romero, Demian DinéYazhi’ and Storme Webber
Time: 8:00 – 9:30 PM
Location: grunt gallery
*Free and open to the public
For our poetry reading night, we’ve reached out to some of our kin south of the colonial border to share their work about love, sexuality, settler colonialism, fighting white supremacy, Radical Indigenous Feminisms and the complicated networks of our many intersecting identities. This night will include queer poet, filmmaker and artist fabian romero (Purepécha), transdisciplinary artist and activist Demian DinéYazhi’ (Naasht’ézhí Tábąąhá (Zuni Clan Water’s Edge) & Tódích’íí’nii (Bitter Water)), and internationally-nurtured poet, playwright, educator, and interdisciplinary artist Storme Webber (Alutiiq/Black/Choctaw).


SATURDAY, APRIL 20

Event: Beading & Reading w. Anne Riley

Time: 10:00 AM – 12:00 PM
Location: Massy Books, 229 E Georgia St, Vancouver
*Closed to 2SQ/Indigiqueer participants only
An informal reading event hosted by artist Anne Riley (Cree/Dene) inviting attendees to bring readings of works that have resonated with them or have produced themselves in a relaxed setting where we can work and speak together over beading/crafting projects within the Massy bookstore event space. The intention of this event is to hold space in which our conversations can feel unrestrained and without the scrutiny of non-Indigenous audiences that often forces a degree of performativity.

Event: Performance by Storme Webber and In Conversation with Afuwa

Time: 1:00 – 2:30
 PM
Location: grunt gallery
*Free and open to the public
Storme Webber (Alutiiq/Black/Choctaw) will be giving an extended performance from her previous nights reading and will follow-up with an In Conversation Interview with artist Afuwa (Guyana) whose current projects have focused on re-imagining relations across the Atlantic diaspora.


Event: Readings and In Conversation with Demian DinéYazhi’ and fabian romero

Time: 3:00 – 4:30 PM
Location: grunt gallery
*Free and open to the public
Presentation with Demian and fabian consisting of short readings of their work, presentations of their interests/practices and a dialogue between the two as artists/writers/activists.


Event: Concert w. With War/Mourning Coup/Kerub
Time: Doors 8:00 PM, Show 9:00 PM (End 12:00 midnight)
Location: KW Studios,  #10 – 111 Hastings St W, Vancouver
Cover: $10-$15 sliding scale, no one turned away for lack of funds (sales from bar and door will be used to pay an honorarium for volunteers and then distributed amongst performers)
Three non-binary Indigenous performers, one face-melting night; we’ll start with Metis/Jewish electronic artist KERUB then fall into experimental electric MOURNING COUP aka Chandra Melting-Tallow (Siksika/mixed ancestry) and then top off the night with Portland vegan straight edge hardcore band WITH WAR, fronted by La Tisha Rico (Diné/Navajo) who in true straight edge form will also be giving a morning artist talk the following day.

SUNDAY, APRIL 21

Event: Artist Talk w. La Tisha Rico (of With War)
Time: 10:00 – 11:00 AM
Location: grunt gallery
*Free and open to the public
La Tisha Rico (Diné/Navajo) will present on their work as a musician and activist in decolonizing punk and DIY spaces within a queer and Indigenous identity that is beyond colonial definitions and limitations in colonial language.

Event: Community Discussion: Rural Indigiqueer Identities, hosted by Edzi’u
Time: 1:00 – 2:00PM
Location: grunt gallery
*Closed to 2SQ/Indigiqueer participants only.
Community discussion facilitated by performer Edzi’u (Tahltan/Tlingit) discussing queer Indigenous identities in rural situations; dating, isolation, mental health; will choose something from the archive to help centre the conversation by responding to how it does or does not reflect where we are now.

Event: Round Table Discussion: Intentions, with co-curators Whess Harman, Kali Spitzer and guests (TBD)
Time: 3:00 – 4:30
PM
Location: grunt gallery
*Free and open to the public
Round table discussion with co-curators Whess Harman (Carrier Witat) and Kali Spitzer (Kaska Dene) event discussing the interpretations and intentions in their practices and as programmers with several other artists/event organizers/curators.



Event: grunt Archive Screenings and Presentation with Lacie Burning
Time: 7:00 – 9:30PM
Location: grunt gallery
*Free and open to the public
In addition to a screening of several performances from the original Two-Spirit Cabaret held at the grunt gallery in 1993, Kanien’kehá:ka (Mohawk) and Onondaga (patrilineal) artist Lacie Burning will be presenting their response to Denise Lonewalker’s Dancing for our Ancestors. With this event, we will be looking back through the archive in an effort to root ourselves in our own history and give acknowledgement to those who’ve made space for us and look forward in how to look at how those spaces are changing.

Downloadable schedule here:
Schedule-Together Apart-2019

Together Apart is supported by the First Peoples’ Cultural Council and the City of Vancouver Creative City Strategic Grant Program. grunt gallery acknowledges the ongoing support of the Canada Council for the Arts, the British Columbia Arts Council, the City of Vancouver, the Province of British Columbia, and the Audain Foundation for the Visual Arts.

How is it done?: behind-the-scenes tour 

Hosted by Exhibitions and Accessibility Manager Kay Slater

Saturday, May 25th, 1-2 PM 

Free

At grunt gallery


ASL invitation from previous tour: https://www.instagram.com/p/C3892iJvtPA/


Join us for a 1-hour behind-the-scene’s tour of the current exhibition at grunt gallery, a memory with you: of holding, of carrying together by Maria-Margaretta Cabana Boucher. This tour will be hosted from the perspective of the installer or preparator with behind-the-scenes details of how the show was installed, tools and equipment used, and the opportunity to talk about the work done to provide accessibility translations for the show. We’ll discuss installing large works and projections. Kay will discuss best practices for accessible paths and installation tips for large projects.



Come with some of your own questions!



Kay will conduct the tours in English (spoken) with live English captions on a TV, and can answer typed questions in French, as well as spoken or typed questions in English, translated by VCC student interpreters (ASL) on site. Contact at us via access@grunt.ca if you have any access needs.

Catch you there!

Accessibility:

grunt gallery is accessed from the sidewalk via a 106” long, 64” wide concrete ramp that rises 12”. The slope is 1 : 8.75. There are no rails on the ramp. The front entrance is an outward-swinging double door with a total width of 64”, and with hand and foot height buttons for automated opening. Entry to the Media Lab behind the gallery space is via a 42” wide passage and entry to the neighbouring amenity space is through a manually operated outward swinging double door with a total width of 70”. No stairs, inclines, or elevators are necessary to access the public areas once inside the gallery.

grunt gallery has a single gender neutral washroom that is accessed via a 31” wide doorway with an automated swinging door with a door handle that is 40” high. The toilet has a 10” clearance on the left side and a 21” clearance in front, with a support bar on the left side. The sink height is 34”.

grunt has immunocompromised guests and staff. Masks are strongly encouraged and are provided at the door.

Please contact us via access@grunt.ca with any questions, feedback or to discuss access needs.
 

To stay in the loop, follow us on social media: Instagram, Facebook, Twitter.

Check out past event documentation on our Vimeo page.

Images: An Exploration of Resilience and Resistance by Kali Spitzer, opening reception, 2019; a sentimental dissidence by Gabi Dao, opening reception, 2019; Together Apart Queer Indigeneities Symposium, artist talk by Jas M. Nixon, 2019.

CURRENT PROJECTS:

Mount Pleasant Community Arts Screen
grunt gallery’s Mount Pleasant Community Art Screen (MPCAS) is an outdoor 4×7 metre LED screen featuring art-only content by and for the Mount Pleasant community, located at Kingsway & Broadway in Vancouver on the east side of the Independent building. Visit mpcas.ca for full details!

The Blue Cabin Floating Artist Residency
In 2015, two celebrated Canadian artists, the late Al Neil and his partner, Carole Itter, were evicted from their studio home, a small cabin that had been sitting in a secluded cove on the Tsleil-Waututh territory foreshore near Cates Park since 1932. Over the course of 4 years, a consortium of arts organizations came together to save the cabin and transform it into The Blue Cabin Floating Artist Residency. The Blue Cabin floated into Vancouver’s False Creek in the summer of 2019. In fall 2019, the Blue Cabin Floating Artist Residency launched Skeins: Weaving on the Foreshore, the inaugural program of artist residencies, open houses, talks and workshops. Situated in the unceded lands and waters of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations, the Blue Cabin is international in scope but deeply rooted in the histories and narratives of this place, offering a unique opportunity to learn, explore and engage with the foreshore.

Accessible, Exhibitions, Public Programming and Events project (AEPE)
grunt’s Accessible, Exhibitions, Public Programming and Events project (AEPE) supports a radical development prototype, exploring access and accessible planning, community care and public programming, Disability Justice and non-hierarchical approaches to knowledge sharing and decision making. The cross departmental initiative provides leadership and labour to the grunt team as we explore access, justice, and care as an artist-run centre. The AEPE project is led by grunt’s Exhibitions and Accessibility Manager, Kay Slater, and our Accessibility and Events Manager, Keimi Nakashima-Ochoa, alongside the work of grunt’s accessibility committee which is composed of grunt staff across departments and is informed by the vision and priorities of the AEPE project.

Cree & D by These Ones
Cree & D is a narrative podcast that uses the format of Dungeons and Dragons gameplay but reimagined as a Cree-based and focused campaign written by siblings Jessica and Ben Johns. This campaign follows the story of three cuzzins, Auntie Vera, Auntie Darlene and Auntie Mac as they search for Kokum Cardinal’s stolen staff and work to preserve the peace in the realm of Ministik. Cree & D is produced by These Ones (formerly known as Together Apart) and supported by grunt gallery on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh peoples. We record on Treaty 6 at FAVA studios. Art by Abbey Riddle. Music by Matthew Cardinal. Voices by Ben and Jessica with Emily Riddle and Matt Ward.

Digital Stories
grunt gallery and EastVan Digital Stories join forces with Mount Pleasant and Vancouver residents who wish to create short videos around the theme of PLACE. Artists Lorna Boschman and Sebnem Ozpeta host free workshops at grunt gallery that walk participants through the process of digital story making!

PAST PROJECTS:

Spark: Fireside Artist Talk Series
January 2016 – March 2022
A series of informal artist talks hosted by the Native Education College (NEC) in partnership with grunt gallery.  These informal talks featured Indigenous artists whose work spans media from the two-dimensional to live performance and beyond.  Their works fuse traditional cultural knowledge with contemporary art forms, pose urgent political questions, and push the boundaries of how we think about art, history and culture more broadly.

Recollective: Vancouver Independent Archives Week
A series of free public events, panels, conversations, performances, and screenings that highlight artist-run centre archives, artists working with archives, and the intersections between contemporary art practices and social movements in Vancouver and beyond. Partners: 221a, Artspeak, The Morris and Helen Belkin Art Gallery, Rungh Magazine, VIVO Media Arts Centre, and Western Front.

Nu chexw kw’átchnexw kwétsi sḵel̓áw̓?// Can you See Beaver?
Nu chexw kw’átchnexw kwétsi sḵel̓áw̓?// Can you See Beaver? was a community-based research and public art project led by Gitksan Witsuwit’en artist and community organizer Jolene Andrew and produced by grunt gallery Project Curator Nellie Lamb, in collaboration with Mount Pleasant Neighbourhood House. Visit canyouseebeaver.ca for full details!

These Ones 
These Ones (formerly Together Apart) was envisioned as a way of making and holding space for 2SQ/Indigiqueer folks to come together and to be in dialogue with one another so that we might centre the conversations we’d like to hear or that we feel have been absent in our communities. However, our intentions were also simple: to celebrate and enjoy one another’s creativity and dedication to our practices, and to recognize one another in such a way that speaks across the distances we experience in our living and movement through our worlds.

2019

Wordless – The Performance Art of Rebecca Belmore
A beautiful new print publication examining the performance work of Canadian artist Rebecca Belmore, that brings together documentation of Belmore’s 30-year career, as well as generating a series of new work based on her past performance. This project feeds into grunt’s long-term interest in performance art, archives and support of Rebecca Belmore’s work. This project also included an exhibition of new photographs by Belmore, nindinawemaganidog (all of my relations), and the re-deisgn of Belmore’s website. Wordless: The Performance Art of Rebecca Belmore is now available via our online bookstore.

Particles: Seoul to Vancouver
Particles continues grunt’s partnership with organizations and artists in Seoul, South Korea. This international program began in Seoul in 2018 with Instant Coffee’s project Pink Noise Pop Up and continues with an artist residency, an exhibition and a curatorial tour in Vancouver this May. Event information is below.

2018

Pink Noise Pop Up
March – April 2018
A series of events that expands the relationship between the arts communities in Vancouver and Seoul, Pink Noise Pop Up seeks to highlight the ways that art interacts with the often complex social and economic conditions of the city. Based in the work of Canadian arts collective Instant Coffee, this exhibition includes installations, artist editions, performances and other collaborations that will take place in South Korea.

The Making of An Archive
Summer 2017 – Spring 2018
Jacqueline Hoàng Nguyễn’s project, The Making of an Archive, seeks to collect images of everyday life photographed by Canadian immigrants, in a direct, collective and exploratory approach.

2017

Journey to Kaho’olawe
May 25 – 30, 2017
Journey to Kaho’olawe is an artist publication by Hans Winkler and T’uy’t-tanat Cease Wyss. The book is the result of a four year process centred on the Hawaiian Island of Kaho’olawe, a sacred site to the Hawaiians in recovery after being occupied as a practice range by the American military. Returned to the Hawaiians in the 1990s, the island is being remediated and returned to its natural state. In conjunction with the launch of the publication grunt gallery and the artists present a week long series of events celebrating Kaho’olawe and the Kanaka presence in BC.

Spring Fever: Vancouver Independent Archives 2017
March 18 – April 8, 2017
This spring season, Vancouver Independent Archives will offer a series of free public talks, screenings and community workshops that foreground local art and art history by drawing on the archives of Vancouver’s independent arts community. Building on the success of Vancouver Independent Archives Week 2015, Spring Fever invites new partner artists, scholars, and organizations to share their approach toward and practice within the archive.

Intertextual
What’s At Stake? Intertextual Indigenous Knowledges is an afternoon of talks, panels and a spoken word performance which examines knowledge, power, authority, and sovereignty in the construction of artistic practices. The event follows from Intertextual: Art in Dialogue, a roving reading group that was held at participating galleries over the last year.

2016

Shako Club
A series of workshops in the Tonari Gumi kitchen and studio space around concepts of wellness, care and food where culinary “sculptures” were constructed, incorporating aspects of stories, ideas and wellness philosophies. By artist Cindy Mochizuki and members from Tonari Gumi.

Past and Presence: NEC Mural Project
The Native Education College and grunt gallery are partnering with Vancouver-based First Nations artists Corey Bulpitt, Sharifah Marsden and Jerry Whitehead to create a mural celebrating NEC’s 30 years in Mount Pleasant.

Cutting Copper: Indigenous Resurgent Practice
A collaborative project between grunt gallery and the Belkin Art Gallery, aiming to bring together a cross-disciplinary group of artists, curators, writers, educators, scholars, students, and activists to explore the embodied theory of Indigenous resurgence and cultural representation – both from the perspectives of their own disciplines and one another’s.

2015

Terminus: Archives, Ephemera, and Electronic Art
This workshop was a part of the 2015 International Symposium on Electronic Art (ISEA).  Organized by the Ethnographic Terminalia Collective in collaboration with Tarah Hogue and Glenn Alteen.

FutureLoss
Space, on Main Street and in Vancouver, is currency, and artist Zoe Kreye’s practice reaches through the overarching narratives of real estate, gentrification and speculation to consider the poetics of an individual’s connection to place.

2014

MAINSTREETERS: Taking Advantage, 1972–1982
The history of a gang of Vancouver artists who lived and worked together in drama, excess, friendship and grief.

30th Anniversary
Thirty years is a long time.  A retrospective of all that is (and was) grunt gallery.

Play, Fall, Rest, Dance
The artist works with children with disabilities to emphasize the state of making and being, the pursuit of uninhibited creative exploration that is void of rules, structures and concepts of ‘right or wrong’ and ‘perfection vs. mistakes’. Children are enabled with artistic autonomy and the artist thoughtfully guides them to explore their creative processes.  By artist Valerie Salez.

gruntCraft
A youth engagement pilot program developed to bridge the creative work being done by youth in the popular online video game Minecraft and artistic inquiry at grunt gallery.

2013

ThisPlace Vancouver
Rethinking ideas about Vancouver’s identity and history, this project attempted to compile a collaborative archive in order to expand the collective awareness of the city’s narratives.

2009

Vancouver Art in the Sixties: Ruins in Process
A digital archive of artwork, ephemera, and film.

2008

Nikamon Ohci Askiy (songs because of the land)
In December 2008, artist Cheryl L’Hirondelle made daily journeys throughout Vancouver and “sung” the landscape she encountered.

Beat Nation
Hip Hop as Indigenous culture.

The Medicine Project
Aboriginal notions of medicine and how they influence the lives of First Nations people and artists today.

2006

First Vision
Two worlds – curated by Tania Willard.

2005 – 2009

Brunt Magazine
Showcasing the artists exhibited at grunt gallery, brunt magazine is a complement to the exhibitions and a closer look at the artists, their processes, and the ideas that inspire their work.

grunt gallery remains closed until further notice due to the COVID-19 pandemic, but the Mount Pleasant Community Art Screen is still glowing bright at Kingsway and Broadway. Through partnerships, commissions, and open calls, there is an exciting and diverse range of new work on the screen exploring our current moment of isolation through moving and still images, texts, poems, drawings and more. Our new programming includes open link in new tab, a showcase of work by ten Indigenous women, Two Spirit, and Indigiqueer artists curated by Jessica Johns; Kevin House’s Isolation Boy project; and submissions from members of the Mount Pleasant community and local elementary school students to our ongoing open calls for creative engagement.

It’s our hope that the MPCAS can continue to connect our community and help us be together while apart in this era of social distancing and self-isolation. You can read more about the MPCAS programming here; and you can see the work in person on the screen on the side of The Independent building on Kingsway.

Photo: Bush Business, Jade Baxter.

Dear Readers, We are sadly nearing the end of Hedy Wood’s Pet Peeves and from this point on it’s 100% cat content – feline friends only. We are pleased to introduce to you, Whess and Chi.

You can’t imagine my delight at finding a pet/human relationship that was not formed online.

I don’t know why exactly, but the fact that Whess (grunt gallery’s curatorial intern) and Chi, (handsome cat), met through mutual friends made me happy. It’s so old school and very unusual nowadays.

I met up with Chi at Whess’s downtown apartment, armed with cat treats which turned out to be completely unnecessary. Chi is an extremely friendly being, who is happy to pop up on your lap and purr. Pretty much the polar opposite of the type of thing I experience at my place. Blackberry thinks of that kind of behaviour as “mushy” or “soft” and she wouldn’t do it if her last treat depended on it. But I digress. And I also plan to interview Blackberry soon, so you will hear all of her (numerous) complaints then.

While I found Whess to be lovely, I spent most of my visit curled up on the bed, feeding treats to Chi. That’s how I learned that he and Whess got together about 6 years ago when Chi’s original owners moved to Australia.

Me: Another snack Chi?

Chi: Don’t mind if I do. Anything else you’d like to chit chat about?

Me: Well, I was wondering if you have any complaints at all? Anything about Whess? Living arrangements? Food?

Chi: As you can see, Whess is just fantastic, however, it took me quite a long time to get them buying the proper type of food. I like GRAVY, the pate cat food is too gummy!

Me: Hmmm, I see……doesn’t sound too awful…..anything else on your little cat mind?

Chi: And I do believe that if a person, who lives with a cat, gets a tattoo, it should really be a picture of the cat! IT SHOULD NOT BE A PICTURE OF SOME STUPID FISH!!

Now I had heard that despite all his charming ways, Chi could be a little intense. I hadn’t realized this intensity would take the form of loud yelling.

Me: Yeah, I see your point, but it’s a nice tattoo.

Chi: NONSENSE. It’s a FISH! So annoying. And what’s with all the TRAVELLING anyway?

Whess is always darting off someplace, leaving me with other people!! And travelling in cars makes me INCONTINENT!!!

Suddenly, I was in pet interviewer heaven, because it seemed as though I had actually found a pet with a few complaints! Oh, joy to the world!

Me: So, actually, Whess is sort of a terrible companion for you? Not too good at all?!

Chi: Are you completely INSANE? Whess took me in when my former people moved to AUSTRALIA! Whess is the kindest, best person I know! I LOVE WHESS!! You must be a cuckoo nut head!

Of course, being called a cuckoo nut head is not exactly unfamiliar territory to me. I just let it bounce right off me, I am made of rubber, you are made of glue, everything you say bounces off of me and sticks right onto you. That’s pretty much my motto.

Chi: I also LOVE Kathleen!! Whess’s friend KATHLEEN! I get so excited when she comes over, I start to hyperventilate!!!

It was around this point in the interview that I noticed a strange habit of Chi’s. You know that sound when you pick up a cat unexpectedly? It’s sort of a squeaky noise similar to accidentally sitting on a bagpipe. Well, Chi is able to make that noise at will, for no apparent reason. He can also make it pretty loud.

Me: Of course …..you do seem to have a lot of love to share…..

Chi: SCREEEEEEEEEECH.

Whess: One time Chi pooped in his cat carrier when we were 20 seconds from our own doorway!

Chi: SCREEEEEECH, DOUBLE SCREEEEEECH! Why tell her that?! It’s MORTIFYING!!

Me: Well now, always best to try to remain calm Chi…..that’s what we cuckoo nutty heads always say…or maybe that’s the British…same thing really…

Whess: Yes, Chi always poops a bit, especially in taxis…..He’s scared of outside, and the sky. And he cannot stand it if I close the bathroom door! Ha!

Now by this point, Chi had climbed into the bag I brought the treats over in, and was continuing to screech. I was yelling at him to “keep his hair on”, and Whess was coming out with even more entertaining incontinence/bathroom stories. Sometimes, you can get the feeling that an interview has gone a bit off track and sort of derailed, really. The only thing a good pet interviewer can do when this happens is make an excuse, and leave the premises ASAP. Always best not to look as though you are actually running, if you can help it.

I managed to extricate Chi from the bag. He calmed down significantly once Whess stopped telling the poop anecdotes, and he could see that I was leaving. Now, some people might say that my nonchalance was slightly exaggerated but professionalism is everything to me. I certainly did not want Whess to think that all pet interviews ended so chaotically. Or that all the cats I talked to ate quite so many treats. No, I was sure things would go much more smoothly over at my next cat rendezvous. Nellie had mentioned that her cat is 15, too old probably to get very excitable…..and me, of course, I’m always calm, and sort of the strong silent type really.

Salut! Pet Peeves continues with Alfie, a Burnese French Poodle cross with a taste for an unusual delicacy…

I had heard through the grunt grapevine that Linda’s Alfie was a bit of a bad boy, and what woman doesn’t enjoy that? I was looking forward to some of that bad boy charm when Linda Gorrie, (grunt’s business manager of 14 years) and Alfie, (Burnese poodle cross) dropped by the gallery for a visit one Saturday. Now, if any dog wants to tell me that he is European, even though I know darn good and well that he actually hails from Surrey, B.C., in Canada, and has no relationship whatsoever to a lecherous, mid-century cartoon skunk, who am I to argue? I just would not argue. I’m not that kind of person. No no no noooo, if Alfie wants to have a fake-y, Pepe le Pew accent, and swear that it is because he is a Burnese, French Poodle cross, well, so be it… I just like to roll with these things, it’s my way.

Now, I did not notice any spectacularly bad boy-ish behaviour during the visit, apart from a bit of basically uncalled for barking. But, I was determined as always to dig up some kind of dirt. As you might know, I had pretty much given up ages ago on finding out anything troubling about the grunt staff. They are all just so consistently nice, it’s sickening really. But surely Alfie was harbouring some dark secrets. He originated in Surrey after all. If I was lucky, maybe there’d be gang involvement!

Me: So, Alfie, how long have you and Linda been together?

Alfie: I do not care for zees details! I bark at your silly, silly questions!! Bark Bark!

Me: Alfie, have you got a little bit of an accent?

Alfie: But of course, mon Cherie! I am European by breed! Zoot Alors! Do you know nothing at all? I must bark!! Oh, sorry, I did not mean to frighten that poor visitor to the gallery… I feel so bad that she is running out ze door! Zese humans, they are more like big chickens? Non?

Me: Well, Alfie that was actually fairly LOUD barking…..but tell me, how do you enjoy life with Linda and her daughter? Anything about them really getting on your nerves? Just any little thing at all…

Alfie: I adore Linda and her daughter!! Zey are the most beautiful women in ze world!!! Every night I creep from one bed to the other, I love them so much, I cannot decide!! Zey like, a bit too much, ze HUGGING! I I must BARK every time! Too much with ze hugging!! BARK!

Me: Right. Hmmmm, so, Linda is giving you the right kinds of toys and food and everything? Lots of walks and things?

Alfie: Yes, of course! My favourite toy is ze hamburger, made of rubber. And Linda has taught me fifty of your English words for food! Although some things Linda does not understand too well. I zink she does not know the European ways…like ze poo bags for example…

My ears perked up at the mention of poo bags. I was pretty certain this could be that bad behaviour I’d been looking for!

Me: Ummm, what exactly is it about the poo bags Alfie?

Alfie: In Europe, dogs like to eat ze poop. We take ze leetle bags full of ze poop, and we TOSS them up into the air!! We eat ze poop! I do not understand why all of ze humans at the dog park hide ze poop when I come over. Zey run, but they cannot hide! I will always find ze poop!

Me: Well, that is kind of gross.

Alfie: Pah! What do you know of ze poop?! You are like Linda, you have probably never even tried la poop! So, how do you know? It is more delightful than anything you could imagine! Viva la poop!!!

Now anyone who has ever lived with a dog knows that they do enjoy smelly things. They like to rub themselves on smelly things, and sit in your car, happily stinking up the place. And I can honestly say that my old dog, Rhonda, had a habit of snacking on the kitty litter. So, I guess this is a doggy thing, I’d never met one who deliberately went after poo bags in the park… and I did not entirely believe that this was a European dog trait, but I thought it showed a lot of focus from Alfie. Dedication really.

Seemed like it might be time for a bit of a change of subject.

Me: So, Alfie, you are a Burnese, poodle cross? A Burna-doodle? Is that right?

Alfie: Gah! Stupid, silly, silly name! Are you a human doodle? What is zis DOODLE!? It is so silly, I must CHEW on zis rubber doorstopper, until it is RUBBLE!!! DOODLE!! PAH!!!

At about this point in our interview, It occurred to me that Alfie might be getting a little over-excited. He began to talk about ART, and how much he loved it, and how delicious it is, while wandering into the gallery…I’m happy to say that no art was actually harmed during the making of this interview, but I was a bit worried that the show might meet the same fate as a tasty little bag of poo.

Me: Well, you are probably getting ready for your walk now? And maybe a bit of a snack? I’m sure Linda is planning to take you somewhere really nice today. Thanks for coming in to meet with me, Alfie, and if anything at all comes to mind, just anything you might have a complaint about, you have my number. Don’t hesitate to call….

Alfie: Yes! I must go out for ze refreshing walk!! I seem to have a little bit of rubber doorstopper temporarily stuck in my throat… gack, cough, petoooey!

Me: It was lovely to meet you, and always great to see you Linda.

Alfie: Gurk, silly door stopper! I must go!!! Immediatement! Where is my hamburger?!!

And with that, my brief time with Alfie and Linda was over. I did hear that he recovered completely from nibbling on the doorstopper, and that he and Linda went on to have a lovely outing… I did not hear if any poop bags were consumed during that walk, so I can only imagine…

Despite his bad boy ways, Alfie charmed me completely, and Linda? Well, what’s not to like?

No, my only hope was to talk to Mary Ann, and her dog, but really, I should probably rename this whole project, from Pet Peeves, to Perfect Pets and Pukingly Perfect Owners. Really, that’s how it actually IS! As Alfie would say, PAH! Silly!

We are pleased to present the first instalment of Pet Peeves, a series in which grunt’s Gallery Assistant, Hedy Wood, investigates grunt gallery’s staff by interviewing their pets. We will post a new instalment of Pet Peeves each month. Enjoy!

It had honestly never occurred to me that there might be a pet without a peeve until I went to Dan’s place. I mean, who has a cat that is so content, he doesn’t destroy the furniture? Or wake you up in the middle of the night by sitting on your head? Or sit beside the food bowl, yelling? Well, apparently DAN has that cat! Apparently, everything is all just super duper all the time over there!

It’s not exactly that I am obsessed with finding fault with grunt staff, but really, there has to be something wrong with them. At work they are kind, inclusive, courteous and professional, while also managing to be fun…..and good looking. I mean, Come ON! Gah! How is that interesting?

No, there has to be something else going on and I figure those pets are the ones that know. Surely they are harbouring some kind of secret grudge? They’ve got to be peeved about some terrible thing the staff is doing. I just need to get to the bottom of it.

Boris and I met at the beginning of March at Dan Pon’s east end apartment. (Dan has been grunt’s archives manager for the last 3 years, and was involved with the gallery for 4 years before that in a variety of capacities. He also works as a librarian at Langara College and West Vancouver Memorial Library. He probably barely has time to even feed a cat.)

Boris is a lanky, handsome, debonair black and white cat. He also appeared to be a bit shy, but totally charming, hmmmm, I did not see how this was going to help with my particular mission. But I put my phone on record and commenced with the interview, optimistic as always, and with a pocketful of cat treats on hand.

Me: So Boris, tell me how you and Dan met.

Boris: Well, about six years ago, I had fallen on some difficult times and I was temporarily living in a shelter down in Seattle. I had been living with a big gang of cats outside a warehouse, but that situation was about to end, and I fear, all of our lives with it!  Dan and his partner were in desperate need of a feline rescue, and of course, I was looking for better accommodations, so I caught their eye when they came into the shelter. Long story short, they ended up terminating their vacation in order to bring me to their home in Canada. People just do not realize the amount of effort we cats put in to rescuing them. I had to lure them all the way to Seattle, AND disrupt their vacation.

Me: Yeah, ok, good, that’s nice, what a sweet story. But what I really want to know is do you have any complaints about Dan? Here have a treat.

Boris: Actually, there is literally almost nothing wrong with Dan. I mean he works a lot, and he could be here, spending time with me and doing things for me, but that’s about it.

Me: So, would you say everything here is all perfect and completely GOOD?!It’s just NICE and PLEASANT all the time?!!!

Boris: I have to say that I do worry a bit about Dan’s hearing. I mean how loudly does a cat have to YELL before he realizes that I need something? What if I’m hungry, or need to go outside, or the litter box is in bad condition? Sometimes I have to yell at him for ten minutes or so before he responds! But he is really so excellent in every other way, I’ve got no complaints at all.

Me: F WORD! What about snoring? That can be very annoying, or excessive gassiness and farting? Or stupid nick names? He can’t be THAT perfect!

Boris: Sometimes they call me Flatfish, which has to do with my elegant, low slung hunting posture, but I kind of like that. And no, no particular gassiness that I have noticed….

Me: Come ON! There’s got to be SOMETHING!! You’ve been together for what? Six years now?

Boris: My word, you certainly are a very persistent person, dogged almost…..all right then, I do think it would be very nice of them to get me a little kitten buddy…..there, I said it! Oh, and they might want to do something about the condition of my scratching post, it’s a tad shabby…I don’t say these things as complaints at all, more like helpful suggestions….

Now, I have to say that by this point in the interview, I was beginning to grind my teeth. My own good opinion of Dan was completely unaltered, and Boris was ready to get out for a bit on his neighborhood patrol. And what kind of dirt had I dug up? Absolutely zero, zilch, zip nada! Everything was just a little too good around Dan’s and it was getting on my nerves. Definitely it was time to leave.

While I was grumpily riding the #4 back to my place, I thought about Meagan and her “protective” bulldogs and the way they vigilantly guard her house. That must be a terrible situation. Goody. I planned to call her as soon as I got home….

Jeremy and Sus Borsos – The Blue Cabin Exhibition

ARTISTS: Jeremy and Sus Borsos

CURATOR: Glenn Alteen

OPENING RECEPTION: June 14, 7 – 9 PM

EXHIBITION DATES: June 15 to July 28, 2018

THE BLUE CABIN SPEAKER SERIES:

Wednesday, June 20 at 7:00 p.m.
Artist talk with Jeremy Borsos
Artist Jeremy Borsos will give a talk describing the restoration of the small 1920’s building known as the Blue Cabin. The talk will focus on possible translations of the cabin’s history.

Thursday, June 28 at 7:00 p.m.
Daniel Francis | Squat City: A Brief History of Squatting Around Burrard Inlet
Author and historian Daniel Francis will speak about the history of squatter villages on the region’s foreshore.

Saturday, July 7 at 2:00 p.m.
Carole Itter in conversation with Krista Lomax
Artist Carole Itter will present an informal talk about her artwork and writings during her 35 year-long residency at the Blue Cabin. She will be joined by artist and editor Krista Lomax.

Thursday, July 12 at 7:00 p.m.
Other Sights for Artists’ Projects, The Foreshore
Artist Jen Weih and curator and artist Vanessa Kwan will speak about The Foreshore, a project produced by Other Sights, in collaboration with Access Gallery and the Contemporary Art Gallery.

Thursday, July 19 at 7:00 p.m.
The Blue Cabin Project
Blue Cabin founding partners Glenn Alteen, Esther Rausenberg, and Barbara Cole will discuss the Blue Cabin Floating Artist Residency project.

*To keep up to date with The Blue Cabin, please sign up for a separate newsletter online here.

When Jeremy Borsos and his wife, Sus, took on the remediation of the Blue Cabin, we at grunt never expected what would eventually come out of it! Using historical materials, they took the structure apart, methodically cleaned every inch, and replaced the rotted out bits. They insulated the walls and fixed the floor. Essentially, they treated it as an archaeological site, collecting its history in scraps of newspapers and mouse nests and, in an archival process, painstakingly saved what remained. The humble structure revealed itself slowly over the six-month period of the restoration and culminated – when they took up the floor – in the discovery of almost 40 posters that had been put there in 1927 to prevent the floor from squeaking.

In this exhibition, the Borsos’ present a body of work that documents this journey, while providing us a history of the cabin before Al Neil and Carole Itter’s tenancy, and offering us new insights into the earlier inhabitants— squatters, and marine workers on the foreshore.

Jeremy Borsos attended Emily Carr School of Art and the Art Students League in New York. His practice is multidisciplinary and includes writing, photography, installation, painting, and video. He has exhibited nationally and internationally. Together with his partner, Sus, the Borsos have developed a meta-historical use of salvaged architecture, constructing multiple dwellings and ancillary structures.

Sus Borsos was born in Denmark and studied statistics and computer sciences at Copenhagen University before managing Scandinavian Stage Design, where she oversaw the creation of stages for major events in Europe. After relocating to Canada in 1992, she worked with her husband, Jeremy Borsos, on constructing their Mayne Island home created from salvaged architectural fragments. Sus has also worked in digital film editing and design, and image output for reproduction.

Together, Sus and Jeremy have constructed a number of buildings using period architectural salvage. They have most recently completed a full remediation of the Blue Cabin, the studio component of a soon to be launched floating artist residency in Vancouver, Canada. Among Jeremy and Sus’s current creative projects is the redesigning and rebuilding of a studio and living space in Athens, Greece. They live and work on Mayne Island, British Columbia, and in Athens, Greece.

The Blue Cabin project is led by grunt gallery, along with Other Sights for Artists Projects, and Creative Cultural Collaborations (C3). This program has been supported by the Hamber Foundation.

Download the PDF of the catalogue and essay by Scott Watson