Moozhan Ahmadzadegan is an artist based on the unceded and traditional territory of the Syilx Okanagan People, also known as Kelowna, BC. His artistic interests center on themes of queer culture, Iranian diaspora, and cultural in-betweenness. This spectrum of ideas serve as a point of access to deepen his understanding of contemporary social issues. Ahmadzadegan’s practice encompasses painting, screenprinting, textiles, and installation practices. Through these mediums, he investigates how we respond and engage with the colonial, social, and cultural structures that shape identity on personal, national, and public scales.

In his exhibition, there hidden, far beneath and long ago, he examines traditional Iranian art such as Persian miniatures, patterns, rugs, architecture, and poetry, and reimagines them through a queer lens. This approach symbolically carves out space for queer narratives within historically heteronormative frameworks, addressing the erasure of queer identities in various contexts. These themes resonate with the increased condemnation of queer people felt globally, including within his immediate community, in so-called Canada, and by the present government of Iran—the contemporary source of his influences.

By queering traditional Persian visuals and narratives, Moozhan reinterprets, reimagines, and reconfigures these elements to create new meanings and queer-inspired narratives. Persian carpets are reimagined through the interplay of materials, contradicting a carpet’s original intentions. A carpet is wall mounted, scaled-down through printmaking, and its tassels are elongated with 15’ rope. With no set meaning, these objects offer the potential for new narratives. As designer and architect Jaffer Kolb describes it, “[queerness is] an open mesh of possibilities, gaps, overlaps, dissonances, resonances, lapses, and excesses of meaning” (Pavka). With that in mind, Moozhan attempts to disrupt these traditional art forms and bring them into a contemporary context. there hidden, far beneath and long ago emphasizes creative play and experimentation, allowing Moozhan to move away from overtly literal interpretations and embrace fluidity. His work serves as an entry point for exploring critical dialogues surrounding queer identity, diaspora, and cultural hybridity. Through this approach, he invites viewers to engage with these themes in nuanced and open ways.

Citations:

Pavka, Evan. “What Do We Mean By Queer Space?” Azure Magazine, 29 June 2020, https://www.azuremagazine.com/article/what-do-we-mean-by-queer-space/.

This project was made possible with support from Canada Council for the Arts.

About the Artist:

Moozhan Ahmadzadegan is an emerging artist based on the unceded and traditional territory of the Syilx Okanagan people, commonly known as the Okanagan. He received a BFA from the University of British Columbia Okanagan with a Major in Visual Arts and a Minor in Art History and Visual Culture in 2019. His work explores Iranian diasporic and queer themes, most often engaging the mediums of painting, screenprinting, textiles, and, more recently, installation practices.

Moozhan is grateful for the opportunity to work, play and create on the lands that have been tended to by the people of Sylix Okanagan Nation and to present this artwork as a guest on the lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̣wú7mesh (Squamish), and səlilwətaɬ/selilwitulh (Tsleil-Waututh) Nations.

Moozhan Ahmadzadegan’s Instagram: https://www.instagram.com/moozhans_art/