CALL FOR SUBMISSIONS FOR A NEW MOUNT PLEASANT
COMMUNITY ART SCREEN
“Pink noise” is a specialized frequency with a specific relationship to human biorhythms that is said to increase focus and productivity. This concept provides the aesthetic criteria and an instigator for interaction in Pink Noise Pop Up—a research project initiated by Instant Coffee that embraces colour and sound as conduits for emotional connection.
grunt gallery presents the upcoming exhibition by Instant Coffee with four Canadian artists showing in South Korea for the first time: Jeneen Frei Njootli, Krista Belle Stewart, Ron Tran and Casey Wei. Installations and performances by Korean artists will also be featured. Pink Noise Pop Up is curated by Vanessa Kwan (Curator of grunt gallery) and Inyoung Yeo (Director of Space One)
Pink Noise Pop Up will unfold simultaneously at Space One, an artist-run center, and ONE AND J. Gallery +1, a commercial space for emerging artists. Working within the context of both mainstream and alternative sites (in addition to the neighourhoods they occupy), the exhibition combines the aesthetics of consumer display with the improvisational play of social interaction.
Check back here for updates on Pink Noise Pop Up.
We gratefully acknowledge the financial support of the Province of British Columbia.
Glenn Alteen, Director of grunt gallery, in conversation with Vittorio Urbani, Nuova Icona Director. The talk will take place at the Italian Cultural Centre on Tuesday, October 17 at 7 pm. (more…)
Jeremy Borsos on the Blue Cabin remediation, October 3, 2017 at 7 pm at the Seymour Art Gallery.
GRUNT SUPPORTS ______.
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Are you or your family an immigrant to Canada? Are you interested in being a part of a growing archive of community history? Do you have family photos you would like to digitize? Please consider taking part in The Making of an Archive, a project initiated by artist Jacqueline Hoàng Nguyễn and presented by grunt gallery (Vancouver) and Gendai Gallery (Toronto).
We are inviting contribution of photographs (slides or prints) of your family’s experience of immigration in Canada. We are most interested in personal collections – those images that taken within families and communities by friends/relatives with personal connections to the subjects.
The archives at grunt gallery are equipped with digitization and storage capabilities, and we are inviting members of the public (you!) to bring photographs (prints, 35mm, Polaroids, slides or negatives) We give you a digital copy of the images and store a copy in The Making of an Archive collection. The originals are returned to you.
What will happen to my images?
Jacqueline is keeping a repository of this growing archive, and grunt will be maintaining a back up of any images collected via our onsite sessions. The images may at some point be featured online or in print – but only with your written permission.
Some questions that might help:
What images, for you, show how your family + community supported one another?
(This is a very open question – many collections include bbqs, social gatherings, birthday parties, special dinners and so on; all this is relevant!)
Do you have images that show your family engaging publicly with events/ organizing/ volunteering?
(We have gathered some amazing images of people at community meetings, cultural festivals, marches and protests – this is the kind of thing that is really lacking in official archives.)
Are there images outside the scope of the archives?
Studio photography in its stale fashion (think of Sears portrait photography!) is not so much relevant to us. We are interested in life with its struggles, joys, friendships, strangeness and hope.
How many images can I bring?
We will digitize collections from 1 – 100 images (that’s 1 – 2 photo books, generally).
What time commitment is required?
Up to 2 hours, depending on the size of your collection. We collect the images beforehand, digitize them, and then invite you to sit with our volunteers for a short interview while we review the material – where you describe to us what is happening in the images. We record and keep this oral account of the images as part of the archive.
Where can I learn more?
Via grunt’s website: http://grunt.ca/the-making-of-an-archive/
Via the Making of an Archive Website: https://www.themakingofanarchive.com/ (currently under construction)
Image courtesy Tatsuo Kage
THE BLUE CABIN SPEAKER SERIES
The Blue Cabin project is excited to bring you its first speaker series, with five talks programmed through the latter part of June and most of July. We hope you’ll join us! All talks will take place at grunt gallery in Vancouver. Events are free of charge and open to the public.
A more detailed description of the Blue Cabin Speaker Series is available at HERE.
Wednesday, June 20 at 7:00 p.m.
Artist talk with Jeremy Borsos
Artist Jeremy Borsos will give a talk describing the restoration of the small 1920’s building known as the Blue Cabin. The talk will focus on possible translations of the cabin’s history.
Thursday, June 28 at 7:00 p.m.
Daniel Francis | Squat City: A Brief History of Squatting Around Burrard Inlet
Author and historian Daniel Francis will speak about the history of squatter villages on the region’s foreshore.
Saturday, July 7 at 2:00 p.m.
Carole Itter in conversation with Krista Lomax
Artist Carole Itter will present an informal talk about her art work and writings during her 35-year-long residency at the Blue Cabin. She will be joined by artist and editor Krista Lomax.
Thursday, July 12 at 7:00 p.m.
Other Sights for Artists’ Projects, The Foreshore
Artist Jen Weih and curator and artist Vanessa Kwan will speak about The Foreshore, a project produced by Other Sights, in collaboration with Kimberly Phillips.
Thursday, July 19 at 7:00 p.m.
The Blue Cabin Project
Blue Cabin founding partners Glenn Alteen, Esther Rausenberg, and Barbara Cole will discuss the Blue Cabin Floating Artist Residency project.
Blue Cabin Speaker Series inquiries: email@example.com
The Blue Cabin Floating Artist Residency brings forward a desire and need for alternate modes of living and working, and expands our understanding of what constitutes public space.
Despite Vancouver’s international reputation for producing exceptional artists, inflated real estate prices make it challenging for arts organizations to offer visiting artists spaces for research, experimentation, innovation, and exchange. Artist residencies exist worldwide and the experiences of those who have been lucky enough to take part are often described as life changing and transformational. Recognizing the need for such a generative space, the Blue Cabin Floating Artist Residency presents an opportunity that is unique to this region while global in its reach.
Representing the last vestiges of a cultural tradition of artists and others living in squatters’ shacks along the foreshores of this region’s waterways, Al Neil and Carole Itter’s Blue Cabin was one of many structures that dotted the shores of the Burrard Inlet.
Recently, the land adjacent to the cabin, MacKenzie Barge and Shipbuilding, was sold to Polygon Homes for redevelopment, initiating the remediation of the foreshore and the small cove the Blue Cabin was nestled within. To avoid demolition, the cabin was moved five kilometres west to a secure storage lot for repair and restoration.
Along with Other Sights for Artists’ Projects and Creative Cultural Collaborations, grunt gallery has a vision to save the cabin and continue its use as an artist residency on the waterways of the Lower Mainland. The following documents were produced in consultation with a number of stakeholders in the community to aid in planning and solicit support for the Blue Cabin’s future.
Blue Cabin Floating Artist Residency: Preliminary Feasibility Report by Barbara Cole, Cole Projects
A Plan for the Conservation and Re-use of the Blue Cabin by Harold Kalman with Andrew Todd Conservators Ltd.
The volunteer team that continues to work to find a new home for the Blue Cabin consists of Glenn Alteen, Program Director of grunt gallery, Barbara Cole, Director of Other Sights for Artists’ Projects, and Esther Rausenberg, Co-artistic Director of Creative Cultural Collaborations, in consultation with Carole Itter and Project Manager Michael Jackson from PM Volunteers. In addition to the team, consultants Hal Kalman, Heritage Planner and Andrew Todd, Heritage Conservator, have offered to assist us through a Heritage Conservation Plan and Heritage Remediation Plan. We also appreciate the support of the Citizens Committee of Port Metro, Polygon Homes, Canexus, and Supreme Structural Transport.
Over the coming months we will be developing an action plan for the cabin. As we move forward, your support will be important to achieving our mission.
Click here to support the cabin: