Pink Noise Pop Up

pink noise- start

“Pink noise” is a specialized frequency with a specific relationship to human biorhythms that is said to increase focus and productivity. This concept provides the aesthetic criteria and an instigator for interaction in Pink Noise Pop Up—a research project initiated by Instant Coffee that embraces colour and sound as conduits for emotional connection.

grunt gallery presents the upcoming exhibition by Instant Coffee with four Canadian artists showing in South Korea for the first time: Jeneen Frei NjootliKrista Belle StewartRon Tran and Casey Wei. Installations and performances by Korean artists will also be featured. Pink Noise Pop Up is curated by Vanessa Kwan (Curator of grunt gallery) and Inyoung Yeo (Director of Space One)

Pink Noise Pop Up will unfold simultaneously at Space One, an artist-run center, and ONE AND J. Gallery +1, a commercial space for emerging artists. Working within the context of both mainstream and alternative sites (in addition to the neighourhoods they occupy), the exhibition combines the aesthetics of consumer display with the improvisational play of social interaction.

Check back here for updates on Pink Noise Pop Up.

We gratefully acknowledge the financial support of the Province of British Columbia.

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Intertextual

What’s At Stake? Intertextual Indigenous Knowledges

Saturday, February 4, 2017
12:00 PM – 5:00 PM
World Art Centre, SFU, 149 West Hastings, Vancouver

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What’s At Stake? Intertextual Indigenous Knowledges is an afternoon of talks, panels and a spoken word performance that examines knowledge, power, authority, and sovereignty in the construction of artistic practices.

Following on Intertextual: Art in Dialogue, a roving reading group that was held at participating galleries over the last year, this program is meant to function less like a syllabus and more like a web of ideas. Taking the critical historiography of Native Art of the Northwest Coast: A Changing History of Ideas (UBC Press, 2013) as a point of provocation, this event belongs to an intertextual discussion of artistic practice and the role of art institutions (from artist-run centres to public gallery models) in Vancouver.

Intertextual aims to examine/critique and create/support a community based in text, recognizing the process of selection and concomitant erasure that occurs in any process of representation.

Beginning with a welcome by Musqueam artist and knowledge keeper Debra Sparrow and concluding with a spoken word performance by Nuu-chah-nulth/Kwakwaka’wakw poet Valeen Jules, the afternoon features talks by notable cultural figures involved in Indigenous art: art historian Charlotte Townsend-Gault, Nuu-chah-nulth historian, poet and artist Ron Hamilton (Ḳi-ḳe-in), Kwakwaka’wakw artist, activist and scholar Marianne Nicolson, and Cree curator and scholar Richard Hill, Canada Research Chair at Emily Carr University of Art and Design. In addition, a lively discussion between Vancouver Indigenous scholars, curators and artists – Lindsay Lachance, Jordan Wilson, Jeneen Frei Njootli and Jennifer Kramer – promises to be a highlight.       

This series has been produced with the participation of SFU Galleries, Bill Reid Gallery of Northwest Coast Art, Contemporary Art Gallery, grunt gallery, Morris and Helen Belkin Art Gallery, Museum of Anthropology, Presentation House Gallery, UBC Press, Vancouver Art Gallery, and Western Front.

VIDEO DOCUMENTATION

Part 1:

Part 2:

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