Mount Pleasant Urban Screen Announcement

MPUS Newsletter
New Urban Media Screen to launch in July 2018 in the Mount Pleasant Community!

grunt gallery has been given the reins to program content on a new non-commercial urban screen in Mount Pleasant. The urban screen is being constructed on the second floor of the Rize building on the western side of Kingsway Avenue facing the street. The Mount Pleasant Urban Screen will launch in July 2018.
(more…)

Leave a comment


Azadeh Emadi: Motion Within Motion

Medium Photo for Web

Video Still from Motion In Motion (2017)

Exhibition: May 2 – 12, 2018

Opening Reception 

Artist Talk: Azadeh Emadi

Lecture:“Creative Algorithms: From Islamic Art to Digital Media”, Dr Laura U. Marks

  • Date/Time: Wednesday, May 23, 20187– 9 PM
  • Location: SFU Harbour Centre, Rm 7000

Azadeh Emadi – Motion Within Motion

grunt gallery, in conjunction with SFU School for Contemporary Arts and Centre for Comparative Muslim Studies, presents the first Canadian exhibition by Glasgow-based artist Azadeh Emadi.

Motion Within Motion, a two-channel video installation with immersive sound, is inspired by Persian-Islamic philosophy of change. Using the theory of ‘substantial motion’ (al-harakat al-jawhariyya) by philosopher Mulla Sadrā Shirazi (1571-1641) as a starting point, Emadi employs digital video and installation technologies to challenge human-centric assumptions of change, time and motion. The work engages two distinct points of view: a non-narrative documentary filmed in Iran and an altered variation that magnifies the footage to the pixel-level. The resulting installation is both synchronized and perceptually disjointed, demanding a simultaneous reading of both cinematic time/movement and the largely abstracted constituent parts of the digital image. Zooming in and out of focus, splitting images into units and using different modalities of time and motion, Emadi’s installation reveals the inner activities of the frame – and provides experience “from a pixel’s point of view.”

Motion Within Motion will be presented in the Main Gallery, and is accompanied by Floating Tiles, a related work in the Media Lab. Floating Tiles continues the artist’s exploration of time and perception via the juxtaposition of classical Islamic tilework – themselves the product of algorithmic pattern creation – and the digital manipulation of the pixel.

The exhibition corresponds with Dr. Emadi’s research residency with Dr. Laura U. Marks at SFU’s School for the Contemporary Arts until early June 2018.

Programs include an artist talk and conversation with Dr. Marks on May 10th at the gallery, and a special presentation of Dr. Marks’ popular lecture “Creative Algorithms: From Islamic Art to Digital Media” on May 23rd at SFU Harbour Centre, Room 7000.

Biography:

Azadeh Emadi is a video maker and media artists who experiment with alternative approaches to image making process and technologies of perception. In applying and developing aspects of classical Persian-Islamic culture and concepts, her work aims to stimulate dialogue between Western and Middle Eastern cultures. Her videos and installations explore the intersection between reality, perception, technology and time, as an investigation for finding new ways of seeing that innovatively address some of the current socio-cultural and environmental issues. She is also a lecturer and researcher at the School of Culture and Creative Arts (Film and Television Studies Department), The University of Glasgow.

 
Leave a comment

Pink Noise Pop Up

pink noise- start

“Pink noise” is a specialized frequency with a specific relationship to human biorhythms that is said to increase focus and productivity. This concept provides the aesthetic criteria and an instigator for interaction in Pink Noise Pop Up—a research project initiated by Instant Coffee that embraces colour and sound as conduits for emotional connection.

grunt gallery presents the upcoming exhibition by Instant Coffee with four Canadian artists showing in South Korea for the first time: Jeneen Frei NjootliKrista Belle StewartRon Tran and Casey Wei. Installations and performances by Korean artists will also be featured. Pink Noise Pop Up is curated by Vanessa Kwan (Curator of grunt gallery) and Inyoung Yeo (Director of Space One)

Pink Noise Pop Up will unfold simultaneously at Space One, an artist-run center, and ONE AND J. Gallery +1, a commercial space for emerging artists. Working within the context of both mainstream and alternative sites (in addition to the neighourhoods they occupy), the exhibition combines the aesthetics of consumer display with the improvisational play of social interaction.

Check back here for updates on Pink Noise Pop Up.

We gratefully acknowledge the financial support of the Province of British Columbia.

Leave a comment





GRUNT SUPPORTS _______.

GRUNT SUPPORTS ______.  

SUPPORT GRUNT!

Become a Monthly Donor today!

(more…)

Leave a comment

The Making of an Archive: FAQ

Are you or your family an immigrant to Canada? Are you interested in being a part of a growing archive of community history? Do you have family photos you would like to digitize? Please consider taking part in The Making of an Archive, a project initiated by artist Jacqueline Hoàng Nguyễn and presented by grunt gallery (Vancouver) and Gendai Gallery (Toronto).

What
We are inviting contribution of photographs (slides or prints) of your family’s experience of immigration in Canada. We are most interested in personal collections – those images that taken within families and communities by friends/relatives with personal connections to the subjects.

How
The archives at grunt gallery are equipped with digitization and storage capabilities, and we are inviting members of the public (you!) to bring photographs (prints, 35mm, Polaroids, slides or negatives) We give you a digital copy of the images and store a copy in The Making of an Archive collection. The originals are returned to you.

What will happen to my images? 
Jacqueline is keeping a repository of this growing archive, and grunt will be maintaining a back up of any images collected via our onsite sessions. The images may at some point be featured online or in print – but only with your written permission.

Some questions that might help: 
What images, for you, show how your family + community supported one another? 
(This is a very open question – many collections include bbqs, social gatherings, birthday parties, special dinners and so on; all this is relevant!)

Do you have images that show your family engaging publicly with events/ organizing/ volunteering? 
(We have gathered some amazing images of people at community meetings, cultural festivals, marches and protests – this is the kind of thing that is really lacking in official archives.)

Are there images outside the scope of the archives?
Studio photography in its stale fashion (think of Sears portrait photography!) is not so much relevant to us. We are interested in life with its struggles, joys, friendships, strangeness and hope.

How many images can I bring? 
We will digitize collections from 1 – 100 images (that’s 1 – 2 photo books, generally).

What time commitment is required?
Up to 2 hours, depending on the size of your collection. We collect the images beforehand, digitize them, and then invite you to sit with our volunteers for a short interview while we review the material – where you describe to us what is happening in the images. We record and keep this oral account of the images as part of the archive.

Where can I learn more? 
Online:
Via grunt’s website: http://grunt.ca/the-making-of-an-archive/
Via the Making of an Archive Website: https://www.themakingofanarchive.com/ (currently under construction)

Image courtesy Tatsuo Kage

Leave a comment

Skip to toolbar